Above The Weary Waiting World Sheet Music Preview

Above The Weary Waiting World: SATB Divisi Choral Octavo

By Kim André Arnesen

Item: 35-DS01614834

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS01614834

More about this title

About the Composer: Kim André Arnesen

Kim André Arnesen is a Norwegian composer whose sacred and secular choral works have gained recognition in American music education and concert programming. His compositions balance lyrical accessibility with harmonic sophistication, creating pieces that engage singers while respecting their musical development.

Why we love this

Arnesen writes with genuine warmth for the choral voice. The divisi writing here opens space for singers to discover blend and balance within each section rather than forcing unison, and the harmonic language suggests spiritual reflection without requiring a liturgical context. This is the kind of piece that sounds more sophisticated than it is technically demanding.

What to expect

Contemplative and luminous. The harmonies have an open quality that feels spacious without being sparse, and the overall arc moves from introspection toward gentle affirmation. There's a reverent quality here, even though the text and context are entirely secular.

Who it's for

Choirs with solid sectional blend and enough range to navigate divisi writing comfortably. The piece works for mixed ability ensembles when you distribute the divisi thoughtfully.

How to get the most out of it

  • Balance the divisi voices by having singers move slightly during rehearsal so they can hear the other part within their section; this trains their ear to sit within the harmonic structure rather than compete for prominence.
  • Take the text phrasing seriously even at rehearsal tempos. The phrase shapes will reveal themselves through lyrical singing, which will naturally clarify the harmonic motion.
  • Allow space between phrase endings for the text to resonate. Arnesen's harmonic choices linger, and rushing toward the next entrance will flatten their effect.
  • Mark the dynamic contours early and rehearse them as carefully as you would the pitches. The emotional arc depends on understanding when to pull back and when to bloom.

How to use it

Consider this for a winter concert closing where you want something reflective but not heavy. It pairs beautifully with faster, more rhythmically driven pieces and can anchor a thematic program around hope, patience, or seasonal stillness.

Skills your students will build

  • Blend and balance within divisi sections
  • Sustained singing through longer phrase lengths
  • Listening to harmonic color and its emotional weight
  • Text integration in contemporary harmonic language

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