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About Time: Piano (Solo)

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About Time Cover Image

About Time: Piano (Solo)

By Milton Babbitt

Item: 98-EP66947

$52.00
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 44
ISBN10: 0-30-073225-2
ISBN13: 979-0-3007-3225-1
SKU: 98-EP66947

More about this title

About the Composer: Milton Babbitt

Milton Babbitt (1916-2011) was a composer and theorist who fundamentally shaped postwar American classical music through his pioneering work with twelve-tone serialism and electronic music. He spent most of his career at Princeton University, where he founded the Columbia-Princeton Electronic Music Center and influenced generations of composers through both his compositions and his rigorous teaching of serial technique.

Babbitt's piano works exemplify his mature compositional voice: intricate serial structures that demand virtuosic command of the keyboard and deep engagement with rhythmic and pitch organization. His music rewards careful, repeated study and offers pianists an entry point into the systematic complexity that defined American modernism.

Why we love this

About Time sits firmly in the concert repertoire for serious pianists willing to meet Babbitt's intellectual and technical demands. The 44-page score reflects the composer's meticulous approach to pitch and rhythm organization, making it an essential reference for advanced students exploring serial composition and postwar modernism.

What to expect

Controlled intensity. Every note occupies a precise place within a rigorously organized system, creating music that balances geometric clarity with expressive possibility. The score demands both mechanical precision and interpretive sensitivity as you navigate its dense, beautifully constructed landscape.

Who it's for

Advanced pianists and composition students ready to engage deeply with serialist techniques and the modernist keyboard tradition. This is repertoire for pianists who approach each performance as a research project into structure and who enjoy the intellectual satisfaction of executing intricate musical architecture.

How to get the most out of it

  • Study the serial matrix and pitch-class structure before tackling passages. Understanding the systematic organization beneath the surface clarifies fingering, phrasing, and where structural points should land.
  • Map out the rhythmic relationships carefully. Babbitt's rhythmic language is as organized as his pitch material; precision here creates clarity rather than obscurity.
  • Build stamina and independence between the hands gradually. The textural complexity benefits from separation and deliberate practice of each hand before combining.

How to use it

Reserve this for recitals or concerts that showcase contemporary classical music and serial composition. Pair it with other postwar modernist works or with earlier twentieth-century piano repertoire to create a program exploring structural composition and the evolution of pianistic language.

Skills your students will build

  • Reading and interpreting serial pitch organization and twelve-tone matrices
  • Executing complex polyrhythmic passages and non-traditional rhythmic relationships
  • Building hand independence and coordination across extended keyboard ranges
  • Developing interpretive approaches to modernist piano repertoire
  • Sight-reading atonal and highly organized pitch materials

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