Abdelazer, or the Moor's Revenge, Z. 570: Suite (Nos. 1 - 9) Cover Image

Abdelazer, or the Moor's Revenge, Z. 570: Suite (Nos. 1 - 9): String Orchestra, Full Score

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Abdelazer, or the Moor's Revenge, Z. 570: Suite (Nos. 1 - 9) Cover Image

Abdelazer, or the Moor's Revenge, Z. 570: Suite (Nos. 1 - 9): String Orchestra, Full Score

By Henry Purcell, ed. Hilmar Hockner

Item: 36-A647601

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Description
Baroque composer Henry Purcell (1659-1695) wrote incidental music for the play ABDELAZER, OR THE MOOR'S REVENGE by Aphra Behn in 1695. While the play, first performed on or before July 3, 1676, flopped, Purcell's incidental music proved more successful. The music consisted of ten movements, and it has been recorded numerous times. The second movement, Rondeau, is the most popular, and it was used as the theme for Benjamin Britten's THE YOUNG PERSON'S GUIDE TO THE ORCHESTRA in addition to other media such as television and video games. This modern edition for string orchestra and harpsichord was produced by Hilmar Höckner in 1926, and includes on the first nine instrumental movements, omitting the tenth, which was the only one to include a vocalist. A violin 3 part, transposed from the viola, is included. Instrumentation: String Orchestra (8.8.3-5.5.5 in set): Hpchd. Movements: 1. Overture (D minor); 2. Rondeau (D minor); 3. Air (D Major); 4. Air (G Major); 5. Minuet (G Major); 6. Air (G minor); 7. Jig (G minor); 8. Hornpipe 'Hole in the Wall' (B-flat Major); 9. Air (G minor). Reprint edition.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-810002-7
ISBN13: 979-8-89-810002-5
UPC: 660355048272
SKU: 36-A647601
Instrumentation: String Orchestra (8.8.3-5.5.5 in set): Hpchd

More about this title

About the Composer: Henry Purcell

Henry Purcell (1659-1695) stands as England's greatest Baroque composer and one of the most inventive musicians of his era. He served as organist at Westminster Abbey and composed prolifically across nearly every genre: sacred vocal music, secular songs, keyboard works, and instrumental pieces that influenced composers across Europe. His ability to blend Italian harmonic sophistication with English melodic sensibility created a distinctive voice that remains immediately recognizable.

Purcell's theatrical music, written for London's stages during the Restoration, demonstrates his skill at matching music to dramatic moment while creating pieces that transcend their original context. His incidental music for plays, like Abdelazer, often achieved greater longevity than the plays themselves, proving that his instrumental writing possessed both structural integrity and enduring appeal.

Why we love this

This suite captures Purcell at his most inventive, moving fluidly across nine distinct movements that showcase the full vocabulary of Baroque string writing without demanding virtuosic extremes. The Rondeau alone has secured this music's place in concert halls and classrooms for over three centuries, yet programming the complete suite reveals Purcell's gift for structural variety and harmonic color across contrasting keys and dance forms. For orchestras seeking repertoire that balances accessibility with genuine compositional substance, this Höckner edition delivers exactly that.

What to expect

Purcell's music sparkles with invention across nine movements that feel both intimate and grand. The orchestration ranges from graceful dances to introspective airs, each one economical in gesture yet harmonically sophisticated, creating a suite that unfolds like a well-paced theatrical scene without relying on bombast.

Who it's for

String orchestras at intermediate to advanced levels seeking Baroque repertoire that combines historical substance with reliable concert appeal. Conductors building programs around the Rondeau's fame will appreciate having access to the complete suite, which provides context and variety while remaining accessible without cutting corners on compositional integrity.

How to get the most out of it

  • Shape phrase endings with slight ritardando rather than abrupt releases; Baroque phrasing conventions favored gentle arrival into cadences rather than dramatic stops.
  • Let the harpsichord anchor harmonic clarity, especially in movements that modulate between major and minor (Air in G Major followed immediately by Air in G minor creates striking tonal contrast).
  • Balance the Rondeau's famous melody against accompaniment figurations so the tune emerges naturally without aggressive projection; this movement has survived popularity precisely because it feels inevitable rather than showy.
  • Maintain consistent rhythmic pulse in the Hornpipe and Jig while allowing for stylistic flexibility in the slower Airs; dance movements benefit from forward momentum while lyric movements invite expressive breathing.

How to use it

Program the complete suite as a freestanding Baroque showpiece, or select individual movements to bookend contemporary or Classical-era works. The Rondeau's popularity makes it an effective opener or closer that audiences will recognize, while the surrounding movements establish Purcell's range and reward deeper listening.

Skills your students will build

  • Reading and performing dotted rhythms characteristic of French Baroque style
  • Balancing contrapuntal lines in string textures across movements in different keys
  • Understanding harmonic function in major and minor modulations (G Major to G minor, D minor to D Major)
  • Coordinating ensemble intonation across sustained chords and figured-bass accompaniment
  • Recognizing and performing Baroque dance conventions (Minuet, Hornpipe, Jig) with appropriate character and phrasing

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