A Wreath Of Holiday Chorals (Collection) Sheet Music Preview

A Wreath Of Holiday Chorals (Collection): Choral Octavo

By Greg Gilpin

Item: 35-DS01710070

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Additional Details
Publisher: Hal Leonard
Page Count: 65
SKU: 35-DS01710070

More about this title

About the Composer: Greg Gilpin

Greg Gilpin

Greg Gilpin holds a prominent place in American choral music as both a composer and conductor. His work has been performed at venues including Carnegie Hall, Lincoln Center, the Sydney Opera House, and Royal Festival Hall, while his ASCAP awards recognize his contributions to the field. As Director of Educational Choral Publications for Shawnee Press, he shapes the repertoire available to choirs across the country.

Beyond composition, Gilpin has built a multifaceted career that reflects his creative energy. He has produced recordings, conducted performances internationally, and in 2021 earned a Best Score award for the film "Rosie's Rescue." He recently collaborated with opera singer Angela Brown on a new arrangement of "What Child is This?" premiered by the Indianapolis Symphonic Choir. A member of ACDA, NAfME, and Phi Mu Alpha Sinfonia, Gilpin continues to teach, compose, and conduct while maintaining active involvement in his professional organizing practice.

Why we love this

Gilpin brings the skill of a seasoned choral conductor to every arrangement in this collection, meaning each piece has been shaped by someone who knows exactly what works in rehearsal and on stage. The variety within a single collection lets you build a cohesive holiday program without searching multiple publishers, and the 65 pages give you genuine programming flexibility whether you need five pieces or ten.

What to expect

The collection spans from warm and intimate to bright and celebratory, offering moments of genuine reflection alongside joyful energy. Gilpin's orchestrations and harmonic choices elevate familiar material into something that feels both timeless and contemporary, creating the kind of program that stays with audiences long after the final note.

Who it's for

Directors building a holiday concert with varied styles and difficulty levels can draw from this collection without assembling pieces from multiple sources. Mixed choirs seeking fresh arrangements of traditional and secular holiday material will find reliable, singable parts that don't compromise musical integrity.

How to get the most out of it

  • Balance the blend of parts by having singers listen across sections during rehearsals rather than only to their own line; Gilpin's writing often features melodic material shared between voices, and this awareness prevents one part from overshadowing the others.
  • Record a quick reference track early in your rehearsal process so singers can internalize the overall harmonic color; this is particularly useful for pieces with unexpected chromatic movement or modal inflections.
  • Mark breath points in pencil during the first read-through and revisit them after learning the music; Gilpin's phrasing often follows text expression rather than symmetrical phrase lengths, and what feels awkward initially usually makes musical sense once the context is clear.
  • Consider staging or light choreography for at least one selection, especially if you have a smaller choir; these arrangements reward visual storytelling and can transform a good performance into something memorable for your audience.

How to use it

Use this collection as the backbone of a full holiday concert, selecting pieces that create natural contrasts between tempos and textures. You might pair several lighter selections with one or two more substantial arrangements to shape the emotional arc of your program, or draw individual pieces for holiday performances throughout the season.

Skills your students will build

  • Reading four or five part harmony with smooth voice leading
  • Blending vowel shapes across chromatic or modal passages
  • Interpreting phrasing that follows text expression rather than predictable bar groupings
  • Sight-reading varied harmonic idioms within a single rehearsal
  • Balancing individual line accuracy with ensemble blend in multi-texted sections

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