A Woodland Celebration: Concert Band Conductor Score & Parts

$52.00 USD

A Woodland Celebration: Concert Band Conductor Score & Parts

Name: A Woodland Celebration: Concert Band Conductor Score & Parts
Brand: Alfred Music
SKU: 00-49090
Price: 52.00 USD
Availability: InStock

By Robert Sheldon

Grade: 1 (Easy)

Item: 00-49090

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Perfect for opening or closing a concert for first-year band students, A Woodland Celebration by Robert Sheldon lends a light rhythmic style to a tuneful melody. This piece is easily playable as soon as young students can play a concert B-flat scale and learn the note concert A-flat. Second clarinet does not go over the break, and second trumpet and horn also have limited ranges.

A Woodland Celebration was commissioned by the Smallwood Drive School Band, Amherst, New York (Angela Antersol, Director) with appreciation for the generosity of the Smallwood PTA in celebration and recognition of the National School of Character Award presented to the school in 2019.

A Woodland Celebration correlates to Book 1, Level 5 of Sound Innovations for Concert Band. (1:45)

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Series: Sound Innovations for Concert Band

Publisher: Alfred Music

Page Count: 85

ISBN10: 1-4706-4590-4

ISBN13: 978-1-4706-4590-8

UPC: 038081564289

SKU: 00-49090

More about this title

About the Composer: Robert Sheldon

Robert Sheldon stands among the most widely performed composers of wind band music in the world. His works span contest and festival repertoire, concert programming, and pedagogical materials, earning him recognition through awards from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. He is the lead author of Sound Innovations for Concert Band and continues to accept commissions regularly, producing substantial publications for concert bands each year.

Sheldon's influence extends beyond the page. He serves as a guest conductor for All-State and Regional Honor Bands and frequently presents clinics at colleges, universities, and state music education conferences. His conducting and teaching have taken him across the United States and internationally to Japan, Canada, Italy, Germany, Australia, and China, with his compositions performed at Carnegie Hall, Orchestra Hall, Boston's Symphony Hall, the Sydney Opera House, and the Kennedy Center. VanderCook College of Music awarded him an honorary doctorate in 2020.

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Why we love this

Sheldon writes concert band music that understands where first-year students actually are: able to play in tune, rhythmically engaged, but still building technical facility. A Woodland Celebration opens with immediate musical payoff rather than waiting for technique to catch up. The tuneful melody and light rhythmic character work equally well as a season opener or closer, making this one piece pull double duty in your programming calendar.

What to expect

A Woodland Celebration radiates outdoor freshness and gentle celebration. The tuneful melody floats above a light, rhythmic accompaniment that keeps the ensemble feeling forward and engaged without demanding technical virtuosity. In just under two minutes, it captures something both festive and elegant.

Who it's for

First-year band students who can play a concert B-flat scale and concert A-flat. The piece demands no extreme ranges, keeps second clarinet below the break, and limits upper register demands on second trumpet and horn, making it genuinely accessible without feeling simplified.

How to get the most out of it

Balance the melodic voice with the supporting harmonies by bringing out the principal line without sacrificing the ensemble texture underneath.
Keep the light rhythmic character buoyant; avoid dragging even when younger players focus on accurate note names and fingerings.
Work the sustained passages for steady, full-voiced tone from the entire ensemble rather than just the lead instruments.

How to use it

Program this as a concert opener to establish a welcoming tone and immediate musical confidence in your first-year students, or use it as a closer that leaves audiences with a clear sense of ensemble accomplishment. It also works well in festival or contest settings where you want the opening impression to be polished musicianship without overshadowing the larger works on the program.