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A Wish for Hanukkah (Shalom Alechem): 2-Part Choral Octavo

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A Wish for Hanukkah (Shalom Alechem) Cover Image

A Wish for Hanukkah (Shalom Alechem): 2-Part Choral Octavo

Music by Lois Brownsey and Marti Lunn Lantz

Item: 00-19179

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Subtitled "Shalom Alechem," A Wish for Hanukkah is a fresh approach to Hanukkah for 2-part treble or 3-part mixed groups. It opens slowly, dramatically, then moves to a spirited 2-beat feel, evoking Eastern European and Hebrew musical traditions. The brilliant SoundTrax CD, featuring two clarinets, will add sparkle to your performances. "Shalom alechem, peace be unto you: a wish for Hanukkah." Indeed, peace is a wish for all December holidays.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, A Wish for Hanukkah (Shalom Alechem): 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081178257
SKU: 00-19179

More about this title

About the Composer: Lois Brownsey

Lois Brownsey

Lois Brownsey studied at Temple University in her native Philadelphia, where she immersed herself in musical theatre and classical guitar training. She has worked extensively as a session singer and instrumentalist, contributing to commercial projects for major brands and performing in pop, rock, and blues ensembles across the United States and internationally before stepping back from live performance in 1997.

For decades, Brownsey has collaborated with composer and arranger Marti Lunn Lantz on choral and seasonal works for Alfred Music, building a catalog rooted in multicultural and holiday repertoire. Together with recording engineer and husband Kent Heckman, she operates Red Rock Recording Studios in Pennsylvania's Pocono Mountains, where many Alfred choral projects come to life. She continues to work as a Celebrant and active participant in regional arts and political communities.

Why we love this

This octavo brings genuine musical architecture to a Hanukkah piece: the slow, dramatic opening hooks listeners immediately, and the shift into a spirited 2-beat feel prevents the work from ever feeling predictable. The Eastern European and Hebrew musical DNA feels authentic without becoming a pastiche, and the SoundTrax accompaniment with its clarinet color gives your singers something genuinely beautiful to sing into.

What to expect

The opening feels ceremonial and hushed, with the weight of tradition settling into each phrase. Once the piece finds its 2-beat groove, it becomes luminous and forward-moving, evoking the warmth of gathering and the brightness of candle light.

Who it's for

Directors programming Hanukkah or winter concerts with treble or mixed voice ensembles looking for something beyond standard settings. This work suits intermediate choirs who can handle modest harmonic complexity and appreciate music grounded in cultural authenticity.

How to get the most out of it

  • Shape the opening with dynamic restraint and clear diction on 'Shalom alechem' so the shift into the faster section lands with real impact.
  • Balance the two-part voicing by listening for the harmonic center; these composers write inner lines that carry weight, not just support.
  • Let the recorded accompaniment drive the tempo change between sections rather than conducting it; the clarinet writing will guide your singers naturally.

How to use it

Position this as a centerpiece in a Hanukkah or interfaith holiday concert, or pair it with other seasonal works to build a thematic program around peace and light. The length and accessibility make it work equally well as a concert feature or as part of a larger choral suite.

Skills your students will build

  • Singing sustained, legit lines in the opening section with precise breath control
  • Shifting between slow, dramatic and faster, rhythmic feels within a single piece
  • Blending two-part harmony while maintaining independence of line
  • Connecting to cultural and Hebrew musical idioms through stylistically informed singing

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