A Winter Wish: SATB a cappella Choral Octavo
Words and music by MaryAnne Muglia
Item: 00-PO-0007219
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About the Composer: MaryAnne Muglia

MaryAnne Muglia brings together classical choral training, jazz sensibility, and contemporary a cappella practice as both composer and arranger. Based in Arizona, she holds a degree in choral education and has built a reputation for writing music that connects with singers across multiple styles and skill levels. Her arrangements and original compositions are performed by student ensembles, community choirs, and professional groups throughout the country.
Beyond the page, Muglia is an active clinician and educator, directing vocal jazz and a cappella programs at Chandler Gilbert Community College while mentoring singers through virtual and in-person workshops. She is also a regular collaborator with @rldazemusic, a treble vocal group known for innovative social media performances. This combination of teaching, writing, and performing keeps her deeply connected to what singers actually need and want to sing.
Why we love this
Muglia crafts a cappella writing that feels both accessible and genuinely musical, never sacrificing harmonic interest for the sake of simplicity. The plucked bass line and supportive inner voices create the illusion of instrumental accompaniment while keeping the focus on the sopranos' clear, singable melody. It's the kind of piece that ends a concert on warmth without treacle, leaving audiences with exactly the sentiment the season calls for.
What to expect
A moment of genuine connection wrapped in musical sophistication. The piece moves with an unhurried grace, letting the message of boundless love and lasting peace breathe through lush but clear harmonies. There's warmth here without sentimentality, and enough rhythmic charm to keep singers and listeners engaged.
Who it's for
SATB choirs looking for a sophisticated yet approachable year-end offering that doesn't require instrumental support. High school through community college and semi-professional ensembles will find the balance of accessibility and musical substance rewarding. Directors seeking an a cappella piece with genuine character and brevity will appreciate how Muglia delivers impact without demanding excessive rehearsal time.
How to get the most out of it
- Treat the plucked bass line as your rhythmic anchor; even though it's vocal, have those singers practice the articulation and rhythmic precision you'd expect from a pizzicato string part.
- Balance the sopranos' melody against the inner voices early in rehearsal so the harmony doesn't swallow the tune. The 'sweet sonorities' work only when the top line remains audible.
- Lock in the stylish lilt by having the ensemble feel the snap-along quality as an ensemble first, then layer in individual parts. This prevents the piece from becoming stiff or overly deliberate.
- Use the text naturally to shape phrases; the warm, heartfelt lyrics should inform your phrasing and dynamics, not the other way around.
How to use it
This works perfectly as a concert closer that transitions the audience from festive energy into reflection without requiring a shift of mood or ensemble. Pair it with one uptempo holiday selection and a more serious sacred piece to create a complete winter program that honors both celebration and contemplation. It also serves as an ideal selection for winter galas, holiday receptions, or any end-of-year performance where the message matters as much as the music.
Skills your students will build
- Balancing melody against inner-voice harmony in a cappella settings
- Articulating rhythmic precision in vocal percussion (the plucked bass line)
- Singing with stylistic lilt and rhythmic snap without sacrificing intonation
- Shaping phrasing through text meaning rather than notation alone