A Winter Night: SATB Choral Octavo
Words and music by David Waggoner
Item: 00-PO-0000967
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About the Composer: David Waggoner

David Waggoner brings classroom experience and liturgical depth to his compositional work. A University of Michigan graduate with a master's degree from Eastern Michigan University, he teaches elementary music in Woodhaven, MI while serving as Director of Music at First United Methodist Church in Wyandotte. His output spans choirs, handbells, and instrumental ensembles, each piece shaped by his daily work with students and congregations.
Waggoner's compositions reflect someone who understands how music functions in real settings. Teaching young musicians and leading church musicians has given him insight into what works technically and what resonates emotionally. His family life in Michigan grounds his writing in genuine human experience rather than abstraction.
Why we love this
The minor key immediately sets this apart from typical Christmas fare, giving singers something with genuine emotional weight rather than relentless brightness. Waggoner's text painting is economical but powerful; the image of angels calling peace and goodwill over a winter landscape feels both timeless and concrete. Recorded accompaniment makes this accessible for directors without strong piano skills, yet the writing stands on its own musical merit.
What to expect
Frosty and intimate at once, like standing outside on a clear winter night and remembering something precious. The minor key creates space for reflection rather than celebration, allowing the Christmas text to carry weight and meaning instead of simply decorating a familiar sentiment.
Who it's for
School choirs looking for repertoire beyond major-key Christmas standards will find real substance here. Church musicians seeking something that speaks to the contemplative side of the season, especially in a liturgical context, have a natural fit with this piece.
How to get the most out of it
- Balance the minor tonality against the hope in the text. The two elements coexist rather than fighting each other; rehearse with attention to how the harmony supports emotional nuance rather than just technical accuracy.
- Let the sopranos breathe naturally at phrase endings rather than sustaining through every final note. This piece communicates through restraint and space as much as sound.
- If using the recorded accompaniment, prepare singers to lock in early during rehearsals. Running it repeatedly helps them internalize the harmonic foundation and frees their focus for expressive details in later rehearsals.
How to use it
Pair this with a brighter carol to create programming contrast that lets both pieces shine. Its eight pages and moderate difficulty make it a strong choice for a winter concert that aims beyond holiday entertainment toward something more substantial. Churches might program this on a quiet Sunday service where the congregation can absorb its contemplative character.
Skills your students will build
- Singing minor-key major repertoire with secure intonation
- Balancing harmonic movement against text meaning
- Sustaining focus through restrained, introspective phrases
- Working with recorded accompaniment as a rehearsal tool