A Winter Eve Sheet Music Preview

A Winter Eve: SSA Choral Octavo

(Good Hours)

Words by Robert Frost, music by Douglas E. Wagner

Item: 00-PO-0007296

Digital Download
$2.30

Minimum order quantity: 20 copies

Description
An artful setting of an evocative winter text by Robert Frost. Stunning choral harmonies paint a solitary snow-covered scene in this lush concert work.

The PerformancePlus+ series is an innovative addition to the ever-expanding MakeMusic Cloud interactive library. These engaging selections are presented with educational resources designed to enrich the rehearsal process and create outstanding performances. Including:
  • Assignment, recording, and assessment tools within MakeMusic Cloud
  • Part-predominant and accompaniment tracks
  • Printable sheet music (with a standard MakeMusic Cloud subscription)
  • Correlated rehearsal guides and performance notes
  • Rights to perform in a live or virtual setting

A Winter Eve: SSA Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
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Sample Video
Additional Details
Series: Alfred Choral - PerformancePlus+
Page Count: 8
SKU: 00-PO-0007296

More about this title

About the Composer: Douglas E. Wagner

Douglas E. Wagner

Douglas E. Wagner grew up in Chicago and studied music at Butler University, earning both undergraduate and graduate degrees before launching a thirty-year career as a high school music director and administrator. Since turning to full-time composition in the early 2000s, he has become one of the most prolific voices in American music education, with over 3,500 published works spanning choral, band, orchestral, and keyboard literature.

Wagner's music reaches millions of performers worldwide each year. His output reflects a deep understanding of what works in the rehearsal room and on the concert stage, grounded in three decades of classroom experience. Today he lives in Indianapolis with his wife, Sandy, and continues to shape the sound of school and church music across the country.

Why we love this

Wagner captures Frost's spare, haunting language in music that feels inevitable rather than ornate. The harmonies are sophisticated enough to reward careful listening without requiring your singers to navigate impossible ranges or chromatic tangles, which means you can focus rehearsal time on the poetry and phrasing that make this work resonate.

What to expect

Quiet and contemplative. Snow settles on a landscape rendered in cool, interweaving harmonies that suggest solitude without sadness. The piece breathes slowly, letting silence do as much work as sound, and leaves listeners in a reflective space.

Who it's for

SSA choirs at the high school or community college level, as well as treble voicings in church settings. The eight-page length and literary focus make it ideal for groups comfortable with sustained legit singing and text-driven interpretation.

How to get the most out of it

  • Shape the vocal line around the natural speech patterns of the text; let the winter imagery guide your tempo choices and rubato rather than forcing a metronomic reading.
  • Balance transparency of the SSA voicing so the text remains audible; avoid letting the accompaniment bury the story being told.
  • Explore the recorded accompaniment during early rehearsals to help singers internalize the harmonic context, then gradually reduce dependence on it as independence grows.

How to use it

Pair this with other winter-season repertoire for a concert exploring seasonal themes, or use it as a ballast in a mixed program to provide contrast and emotional depth after livelier selections. It also serves well as a contest or festival entry where literary sophistication and choral refinement matter.

Skills your students will build

  • Singing in tune across sustained harmonic progressions
  • Phrasing legit vocal lines with attention to text meaning
  • Maintaining blend and transparency in SSA texture
  • Responding to accompaniment cues while remaining independent

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