A Whole New World (from Aladdin) (arr. Debbie Kent): Choral Instrumental Pak
As performed by Peabo Bryson and Regina Belle / Arranged by Debbie Kent
Item: 35-PK00478333
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Description
(For S/A/T Choir and Soloists)
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00478333
More about this title
About the Artist: Peabo Bryson and Regina Belle
Peabo Bryson brought a smooth, soulful tenor to some of Disney's most memorable moments, establishing himself as a go-to voice for animated film romance. Regina Belle's rich alto and expressive phrasing complemented his perfectly, making their duet on "A Whole New World" one of the most recognizable vocal performances from the 1990s.
Their collaboration on this track became a cultural touchstone for a generation of singers. Both artists brought technical skill and genuine warmth to their parts, creating a recording that sounds effortless even as it demands real musicianship from anyone attempting to recreate it.
Why we love this
Debbie Kent's arrangement gives your singers a genuine duet moment that feels theatrical without requiring professional-level soloists. The piece captures the emotional sweep of the film while building natural voicing opportunities for your S/A/T lineup, making it rewarding for both ensemble singers and featured soloists.
What to expect
Romantic and expansive, with an orchestral richness that makes your singers feel like they're part of a major film moment. The piece glides between tenderness and grandeur, requiring voices to float above a lush harmonic landscape while maintaining the intimacy that made the original recording so compelling.
Who it's for
Choirs seeking accessible yet substantial concert material that connects with audiences instantly. This arrangement works for high school through adult choirs and pairs beautifully with film, wedding, or pop-focused programs.
How to get the most out of it
- Balance the solo lines with the choral backdrop so soloists project without the ensemble covering them. The most magical moments happen when both layers breathe together.
- Shape the melody with the film's pacing in mind. The song needs space to unfold rather than a relentless forward drive; let the orchestration carry the momentum while voices float on top.
- Work the alto and tenor parts separately before combining them with the full choir. These lines often interweave, and rehearsing them in isolation prevents blend issues and pitch drift.
- Mark dynamic shifts carefully in rehearsal. The emotional arc moves between intimate and soaring, and your singers need clarity on when the texture thickens versus thins.
How to use it
Position this as an audience favorite during pops or film music concerts, or use it as a show-stopping closer for spring performances. It also works as a wedding or gala standalone feature, where its emotional resonance and accessibility ensure immediate connection with listeners.
Skills your students will build
- Balancing solo lines with ensemble accompaniment
- Sustaining legit vocal tone over extended phrases
- Navigating sustained harmonies without pitch drift
- Responding to orchestral accompaniment cues
- Building emotional arc across a longer song structure