A Tribute to Dave Brubeck Cover Image

A Tribute to Dave Brubeck: Concert Band Conductor Score

$12.00 USD
Sale price  $12.00 USD Regular price 
Skip to product information
A Tribute to Dave Brubeck Cover Image

A Tribute to Dave Brubeck: Concert Band Conductor Score

Take Five and Blue Rondo à la Turk

Arr. Patrick Roszell

Grade: 3.5 (Medium Easy to Medium)

Item: 00-45811S

$12.00
Shipped

One moment…

Description
A Tribute to Dave Brubeck arranged by Patrick Roszell is a rhythmic tour de force for your concert band that will leave your audience breathless. Featuring two of the Dave Brubeck Quartet's best-known charts; the grooving "Take Five" and the furious "Blue Rondo à la Turk," the flexible assignment of the brief solo sections presents a great opportunity to feature two graduating seniors. (5:45)

A Tribute to Dave Brubeck: Concert Band Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Pop Concert Band
Publisher: Alfred Music
Page Count: 56
UPC: 038081525907
SKU: 00-45811S

More about this title

About the Composer: Dave Brubeck

Dave Brubeck

Dave Brubeck was a jazz pianist and composer whose improvisational command shaped modern jazz for over seven decades. Beyond his work as a performer, he wrote extensively across multiple genres: choral works, hymns, orchestral pieces, chamber music, ballet scores, and large-scale vocal compositions that have been recorded by the London Symphony Orchestra and performed worldwide. His 1959 album "Time Out" became the first jazz recording to exceed one million copies sold, cementing his influence on both jazz and popular music.

Brubeck's cultural impact extended far beyond the concert stage. He actively challenged racial segregation in the 1950s and 1960s, using his platform to advance civil rights at a time when integrated ensembles faced serious resistance. His sacred works, including the mass "To Hope!" and the oratorio "The Voice of the Holy Spirit," have been performed across Europe and North America. He received the Grammy Lifetime Achievement Award, the Presidential Medal of the Arts, and was elected to the American Classical Music Hall of Fame in 2003.

Why we love this

This arrangement captures the infectious energy and sophisticated rhythmic interplay of two Brubeck classics without requiring your students to navigate complex jazz changes. The alternating leadership in the solo sections gives you a natural way to honor graduating musicians while keeping the spotlight mobile enough that the entire ensemble stays engaged throughout the piece.

What to expect

The piece opens with the relaxed, groove-centered cool of "Take Five," its famous 5/4 meter feeling natural and unhurried once the band settles into the pocket. The energy shifts dramatically into the driving, syncopated urgency of "Blue Rondo à la Turk," where intricate rhythmic figures and propulsive harmonies create a sense of musical momentum that feels simultaneously composed and improvised.

Who it's for

Concert bands at the Grade 3 to 3.5 level looking for genuine jazz repertoire that doesn't oversimplify the idiom. This works equally well for bands featuring strong jazz students and those new to the style, since the flexible solo assignments let you cast based on your ensemble's strengths rather than technical demands.

How to get the most out of it

  • Lock the subdivision in the rhythm section first. The odd meters in "Blue Rondo à la Turk" require your bass and percussion to establish the groove with absolute clarity before the melodic instruments enter.
  • Balance the soloists carefully. These brief moments should feel like natural conversation, not sudden spotlight shifts. Ask your featured students to listen to the ensemble underneath them and adjust their dynamic accordingly.
  • Shape the contrasting moods between the two tunes. "Take Five" breathes with cool restraint while "Blue Rondo à la Turk" demands urgency and forward motion. Conduct these sections with distinctly different gestures to help students feel the style shift.
  • Let the ensemble find the swing feel rather than forcing it. Rehearse the rhythm section separately on a recording of the original Brubeck quartet pieces so they internalize the pocket before adding full band dynamics.

How to use it

Program this during a jazz or contemporary classics concert to bridge your audience's familiarity with "Take Five" and your band's musical growth. The 5:45 duration and high energy also make it an excellent closer for a spring concert, especially one celebrating senior musicians through the featured solo moments.

Skills your students will build

  • Reading and performing 5/4 meter with confidence
  • Understanding and executing swing/jazz articulation and phrasing
  • Playing odd meters (5/4 and compound rhythms) while maintaining ensemble synchronization
  • Balancing solo exposition against full ensemble texture
  • Listening to and responding to a clearly defined groove established by the rhythm section

You May Also Like