A Touch of Romance Cover Image

A Touch of Romance: Piano Book

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A Touch of Romance Cover Image

A Touch of Romance: Piano Book

Original Piano Solos

By Eugénie R. Rocherolle

Level: Late Intermediate

Item: 00-ELM00050

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Description
A new edition of Rocherolle's Three Mazurkas and Three Waltzes, previously printed individually. Some have been re-engraved, and all updated for today's student. These pieces offer students fresh material for study and recital, and will challenge them more musically than technically. A must for every piano studio.

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Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7692-9985-7
ISBN13: 978-0-7692-9985-3
UPC: 654979188100
SKU: 00-ELM00050

More about this title

About the Composer: Eugénie R. Rocherolle

Eugénie R. Rocherolle has built a distinctive career writing accessible yet musically sophisticated piano repertoire for students. Her work spans from elementary to early advanced levels, and she has earned recognition for pieces that prioritize musicality and expressive depth without demanding virtuosic technique.

Rocherolle understands what resonates in the practice room and on the recital stage. Her compositions appear regularly in piano festivals and competitions because they engage both student and audience, offering genuine musical satisfaction at manageable technical levels.

Why we love this

Rocherolle's instinct for what makes a piece memorable shows clearly here. These six pieces demand that students think musically about phrasing, voicing, and character rather than relying on technical display, which is exactly what late intermediate pianists need to grow as musicians.

What to expect

Intimate and lyrical. These pieces evoke the salon tradition of the Romantic era, with elegant melodies that sing over graceful accompaniment patterns. There's warmth without sentimentality, and just enough harmonic color to hold a mature listener's attention.

Who it's for

Late intermediate pianists preparing recital repertoire or studying Romantic forms and idioms. This collection works equally well for students who need fresh, engaging material within their technical range and for teachers building a curriculum around 19th-century dance forms.

How to get the most out of it

  • Treat each piece as a character study. The mazurkas and waltzes demand distinct interpretive choices in rubato and dynamic shaping; map these out before drilling the notes.
  • Listen to recordings of actual mazurkas and waltzes from the Romantic era to ground your interpretations in authentic style, then adapt Rocherolle's writing to reflect what you discover.
  • Balance the left hand's accompaniment patterns with clarity; these pieces live and breathe through the dialogue between melody and support, not through heavy pedal.

How to use it

Open a student recital with one of the waltzes to set an elegant tone, or program a mazurka alongside period repertoire by Chopin or Schumann to deepen students' understanding of the form. The collection's variety makes it ideal for a "Dances of the 19th Century" themed program at the student level.

Skills your students will build

  • Phrasing and shaping in Romantic idiom without slowing the underlying pulse
  • Voicing and voice leading in simple three-part textures
  • Interpretive choices in tempo flexibility and rubato appropriate to dance forms
  • Left-hand accompaniment patterns characteristic of mazurka and waltz
  • Balancing melody with accompaniment using dynamics and touch rather than pedal

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