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A Touch of Jazz: Full Orchestra Conductor Score & Parts

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A Touch of Jazz Cover Image

A Touch of Jazz: Full Orchestra Conductor Score & Parts

Arr. Jerry Brubaker

Grade: 3.5

Item: 00-FO9910

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Description
In the words of the great Duke Ellington, "It don't mean a thing if it ain't got that swing." That song title is just one of the tasty morsels in this orchestral salute to the world of jazz. The medley just plain cooks when these other classics are added to the mix: The Swingin' Shepherd Blues, Round Midnight, Take Five, Li'l Darlin', C Jam Blues, and Cute! Cool, man! (5:45)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, A Touch of Jazz: Full Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Concert Full Orchestra
Publisher: Alfred Music
Page Count: 220
UPC: 029156998139
SKU: 00-FO9910

More about this title

About the Arranger: Jerry Brubaker

Jerry Brubaker

Jerry Brubaker has spent decades crafting accessible orchestral arrangements that capture the spirit of jazz and popular music without sacrificing musicianship. His work for full orchestra demonstrates a gift for balancing tutti excitement with clear part writing that keeps all sections engaged.

Why we love this

Brubaker threads seven legendary jazz standards into a single cohesive medley that swings hard without requiring your ensemble to have jazz experience. The Grade 3.5 difficulty means advanced middle school or developing high school orchestras can actually nail the feel, and the arc from uptempo opener through the contemplative Round Midnight to the finger-snapper Cute gives you natural musical shape without feeling patchwork.

What to expect

The piece radiates the confidence and cool of a mid-century jazz club translated to the concert hall. Moments of shimmer and sophistication alternate with outright fun, especially once those blues changes settle in and the ensemble realizes they're genuinely swinging.

Who it's for

Orchestras at the intermediate-advanced level who want to experience what swing and syncopation feel like without leaving the conductor score behind. This works beautifully for groups that have stronger readers than improvisers, or ensembles just beginning to explore jazz repertoire beyond the classical canon.

How to get the most out of it

  • Keep the eighth-note subdivision buoyant and forward. These melodies breathe best when the pulse feels alive rather than metronomic.
  • Balance tutti sections carefully so that brass doesn't bury the walking bass lines and rhythmic underpinning. The groove depends on hearing the full texture.
  • Attend to dynamic contrast between medley segments. Each standard deserves its own character, so don't treat the whole five-minute arc as one energy level.
  • Let the rhythm section breathe a beat or two before ensemble entries in transitions. These small moments of space sell the jazz idiom.

How to use it

This medley fits perfectly on a pops or light classics concert where you want to show breadth without leaving your orchestra's wheelhouse. It also works as an excellent closer to a concert featuring classical material, offering audiences a chance to hear their orchestra loosen up and play with stylistic freedom.

Skills your students will build

  • Swing eighth-note interpretation and feel
  • Reading and executing syncopated rhythms across full orchestra texture
  • Balancing ensemble sound in a jazz-influenced harmonic language
  • Navigating quick medley transitions while maintaining musical continuity
  • Understanding basic blues changes and their role in popular music composition

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