A Taylor Swift Suite Cover Image

A Taylor Swift Suite: 2-Part / SSA Choral Octavo

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A Taylor Swift Suite Cover Image

A Taylor Swift Suite: 2-Part / SSA Choral Octavo

Bad Blood * Style * You Belong with Me

Arr. Alan Billingsley

Item: 00-49847

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Description
Three megahits from one of the best-selling musicians of all time, this fast-paced pop trilogy clocks in at just under four minutes. Alan's flexible 2-part treble medley easily adapts for unison singing and offers occasional cue notes for SSA harmony. Encourage your singers to bring their best Taylor Swift attitude, with confidence to spare! Perform with the simple SoundPax (guitar, bass, and drums) or grab the funky SoundTrax.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081571614
SKU: 00-49847

More about this title

About the Composer: Taylor Swift

Taylor Swift emerged as a songwriter and recording artist in the mid-2000s and has since become one of the most commercially successful musicians in history. Her catalog spans multiple genres, from country-pop to alternative and indie influences, and her songwriting often draws from personal narrative and emotional specificity. In the choral context, her melodies prove remarkably singable and her production choices offer rich material for creative arrangement.

Why we love this

Alan Billingsley's arrangement captures three chart-topping moments in a single medley that keeps energy high without exhausting your singers. The flexible 2-part texture with optional SSA harmony lets you program this whether you're working with a developing treble section or a more experienced ensemble, and the choice between simple accompaniment and the funkier option gives you real control over rehearsal depth and performance style.

What to expect

A confident sprint through three beloved pop moments, executed with the energy and attitude that defines these songs. The arrangement moves quickly and feels contemporary, giving singers the satisfaction of nailing something their audiences immediately recognize and connect with.

Who it's for

Treble choirs and mixed ensembles with developing singers who respond well to contemporary pop literature. This works equally well for middle school or high school groups looking to program something current and accessible without sacrificing musical engagement.

How to get the most out of it

  • Balance the melody between parts; the cue notes for harmony should enhance rather than compete with the unison line, so mark dynamics carefully during early rehearsals.
  • Nail the rhythmic precision in the transitions between songs, since the fast pace means any sluggish beat changes will derail the medley's momentum.
  • Lean into the attitude and character of each hit, encouraging singers to connect with the confidence and storytelling that makes these songs memorable.

How to use it

Place this in a pop or contemporary-focused concert segment where it can stand alongside other current hits, or use it as a pops concert opener to establish an upbeat, engaging tone. The tight four-minute runtime makes it ideal for mixed-genre programs where you want to shift mood and energy without taking up significant rehearsal time.

Skills your students will build

  • Singing in two-part and three-part textures with optional harmony
  • Navigating quick transitions between distinct melodic sections
  • Performing with stylistic confidence and contemporary attitude
  • Balancing melody and harmony parts in a pop arrangement

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