A Taste of Honey Cover Image

A Taste of Honey: Jazz Ensemble Conductor Score & Parts

$60.00 USD
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A Taste of Honey Cover Image

A Taste of Honey: Jazz Ensemble Conductor Score & Parts

By Bobby Scott & Ric Marlow / arr. Rob Vuono, Jr.

Grade: 3.5

Item: 98-JE4084

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Description
A Taste of Honey was made famous by Herb Alpert. Rob Vuono puts his remarkable arranging skills to work in this jazz-waltz version. After an opening chorale in the bone section, the drums kick off the band as the piece builds gradually while changing key two times. Solo is in the alto sax (which includes a written solo as well).

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Additional Details
Series: FJH Intermediate Jazz Ensemble
Publisher: The FJH Music Company, Inc.
UPC: 674398212231
SKU: 98-JE4084

More about this title

About the Composer: Bobby Scott

Bobby Scott (1927-1990) was an American composer, pianist, and conductor who bridged popular music and jazz standards with remarkable sophistication. He co-wrote "A Taste of Honey" with Ric Marlow in 1962, creating one of the most recorded standards of the era. Scott's gift for melody and harmonic elegance made his compositions enduringly appealing to performers across genres, from pop vocalists to jazz ensembles.

Why we love this

Rob Vuono's arrangement captures the dreamy quality of this standard while giving your ensemble genuine jazz vocabulary and forward momentum. The alto sax spotlight provides a perfect vehicle for a capable improviser, and the written solo ensures younger players have a concrete reference point before personalizing their own lines.

What to expect

Elegant and unhurried, like stepping into a cool jazz room where the band knows the tune so well they can take their time with it. The opening bone section creates an intimate, almost ballad-like introduction before the drums and rhythm section inject subtle swing energy and forward propulsion.

Who it's for

This arrangement suits jazz ensembles comfortable with swing interpretation and waltz time, particularly groups with a strong alto saxophonist ready to feature. It works well for ensembles at the intermediate level seeking accessible repertoire that still demands musical maturity and ensemble cohesion.

How to get the most out of it

  • Establish a warm, relaxed swing feel in the opening bone chorale; this sets the lyrical mood before the drums enter and the energy shifts.
  • Balance the key changes carefully during the gradual build so each modulation feels intentional rather than abrupt; rehearse these transitions as a full ensemble to lock the harmonic movement.
  • Work closely with your alto sax soloist on the written solo first, then encourage them to develop variations and personal phrasing once they own the melody and changes.
  • Keep the rhythm section locked and patient; a steady, unhurried pulse will let the waltz time breathe and give the arrangement room to expand.

How to use it

Program this as a standalone feature on a jazz concert, or pair it with other Vuono arrangements for a thematic set that showcases your ensemble's ability to balance lyricism with groove. It also works as an effective closer or encore because of its sophisticated but approachable character.

Skills your students will build

  • Jazz waltz time feel and swing interpretation in 3/4
  • Reading and executing key modulations across the ensemble
  • Solo improvisation with a written reference as a learning scaffold
  • Balance between lead instruments and accompaniment in a jazz context
  • Phrasing and dynamics control in a medium-tempo standard

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