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A Small Part of the World: Choral SoundTrax CD

$59.99 USD
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A Small Part of the World Cover Image

A Small Part of the World: Choral SoundTrax CD

Folk Songs from Here, There and Everywhere - A Presentation for Unison and 2-Part Voices

By Sally K. Albrecht

Grade: 3 & up

Item: 00-17014

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Description
Take a world-wide musical journey using the universal language of music! This multi-cultural presentation features catchy folk songs from 13 countries (pronunciation guides included), plus uplifting opening and closing numbers, all tied together with fun and informative dialogue. Perfect for holiday programs, spring programs and Earth Day celebrations, this 35-minute presentation is easy to put together using one class or many classes. All students can join together on the opening and closing numbers. Don't miss this exciting musical journey!

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Additional Details
Publisher: Alfred Music
UPC: 038081150840
SKU: 00-17014

More about this title

About the Arranger: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped choral music education for over four decades as a composer, arranger, conductor, and clinician. Since 1987, she has received annual ASCAP Special Music Awards and maintains an extensive catalog of more than 600 choral works and 75 larger musicals currently in print. She has conducted honor choirs at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, while serving for 30+ years as Director of School Choral, Vocal, and Elementary Publications at major educational music publishers, most recently Alfred Music.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977), and the University of Miami Frost School of Music (M.M. in Accompanying, 1979). She has taught at Oakland University, Jersey City State College, and Meredith College. Recognized with the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College in 2021, she also served as Chair of the Board of Trustees for the Omicron Delta Kappa National Leadership Honor Society and received their "Pillar of Leadership" award. She resides in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.

Why we love this

Albrecht has crafted a fully staged, 35-minute show that actually holds together musically and dramatically, not just a collection of songs with filler. The inclusion of pronunciation guides removes the usual anxiety around teaching unfamiliar folk material, while the opening and closing numbers create natural moments where your full ensemble joins in, making every student feel essential regardless of which country-specific songs they perform.

What to expect

A vibrant passport through global soundscapes, moving from one folk tradition to the next with infectious energy and genuine warmth. The mix of singing, dialogue, and cultural storytelling creates an experience that feels both educational and celebratory, inviting audiences into the lives and voices of communities around the world.

Who it's for

This program works for any school with multiple choir classes or a mix of ensemble levels (grades 3 and up) who want to perform a cohesive, meaningful concert together. Directors seeking a secular, inclusive presentation that celebrates cultural diversity while remaining accessible and fun will find this especially valuable.

How to get the most out of it

  • Assign country-specific numbers to different class groups well in advance so learners can develop ownership of their material and work the spoken dialogue into rehearsal early for pacing and clarity.
  • Use the recorded accompaniment tracks to establish accurate tempos and stylistic inflections for each folk tradition, then move toward ensemble independence as confidence builds.
  • Rehearse the opening and closing numbers across all participating groups several times before full run-throughs to ensure blend and rhythmic precision at the moments your entire choir sings together.
  • Block stage movement during the dialogue sections to maintain energy and keep sightlines open, preventing students from disappearing behind music stands during the spoken connective passages.

How to use it

This works beautifully as a standalone concert or as the centerpiece of a spring program, Earth Day celebration, or holiday concert block. Its 35-minute length makes it substantial enough to anchor a full evening or fit naturally into a multi-act program; the flexibility to include one class or many classes means you can scale the performance to your roster and rehearsal capacity.

Skills your students will build

  • Singing in diverse languages with accurate pronunciation and cultural awareness
  • Following dialogue cues and managing transitions between musical and spoken sections
  • Blending individual class groups into a unified ensemble on shared repertoire
  • Responding to cultural context in folk music performance (style, articulation, phrasing)
  • Reading music in varied meters and melodic styles across multiple traditions

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