A Shine On Your Shoes (from Flying Colors) Sheet Music Preview

A Shine On Your Shoes (from Flying Colors): E-Z Play Today

As performed by Howard Dietz

Item: 35-DS01914952

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS01914952

More about this title

About the Artist: Howard Dietz

Howard Dietz (1896-1983) was a lyricist and librettist who shaped the Broadway musical theater landscape across five decades. His partnership with composer Arthur Schwartz produced some of the era's most elegant scores, including the 1931 revue Flying Colors, which showcased Dietz's gift for witty, urbane lyrics paired with memorable melodies. As both a lyricist and MGM executive, he influenced American musical theater from the page to the stage.

For pianists and music students, Dietz's work offers access to the sophisticated harmonic language and rhythmic flexibility of 1930s Broadway. His songs demand attention to lyrical phrasing and the interplay between words and music, making them valuable study material for anyone exploring the American songbook.

Why we love this

This is a genuinely swinging tune with the kind of rhythmic lift that makes students want to feel the music, not just read it. The two-page length keeps it manageable for students working through the jazz standards canon without oversimplifying the harmonic motion that makes 1930s Broadway orchestrations so rewarding to dig into.

What to expect

Polished, clever, and alive with the rhythmic confidence of the 1930s Broadway stage. The tune sparkles with a kind of sophisticated charm; it invites you to play with style and intention rather than merely hit the notes on the page.

Who it's for

Piano students working through the American songbook and developing jazz sensibility will find this a perfect stepping stone between traditional classical and full-blown jazz reharmonization. It's equally valuable for singers learning the melody and for ensemble pianists wanting to understand how Broadway orchestrations translate to solo piano.

How to get the most out of it

  • Keep the tempo buoyant but allow the swing feel to breathe; rush the tempo and you'll lose the urbane character that defines the piece.
  • Shape the melody with the legato phrasing of a vocalist. These lines were written for singers first, so let that guide your touch at the keyboard.
  • Listen closely to how the accompaniment figure sits relative to the melody. The interplay between the two is where the jazz flavor emerges.
  • Pay attention to any dynamic markings that suggest phrase contours. Broadway songs live and die by their phrasing architecture.

How to use it

Pair this with other Dietz-Schwartz standards in a concert celebrating the American songbook, or use it as a repertoire anchor for a unit on jazz interpretation and stylistic flexibility. It works equally well in a solo recital or as an interlude in a larger Broadway-themed program.

Skills your students will build

  • Swing rhythm and jazz feel in the context of written notation
  • Phrasing and legato technique applied to melodic lines
  • Interpretation of 1930s-era harmonic progressions
  • Coordination of melody and accompaniment patterns
  • Understanding lyrical content as a guide to musical expression

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