A Salute to New York City (Medley) Cover Image

A Salute to New York City (Medley): Concert Band Conductor Score

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A Salute to New York City (Medley) Cover Image

A Salute to New York City (Medley): Concert Band Conductor Score

Featuring: New York, New York / Give My Regards to Broadway / Forty-Second Street / and more

Arr. Jack Bullock

Grade: 3 (Medium Easy)

Item: 00-CBM05007C

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Description
Every song that brings New York City to mind has been crafted into a medley especially for your concert band. A Salute to New York City contains "New York, New York," "Give My Regards to Broadway," "Forty-Second Street," "The Sidewalks of New York (East Side, West Side)," and "Theme from New York, New York." A musical toast to this regal city that's sure to please. (4:23)

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Additional Details
Series: Pop Concert Band
Publisher: Alfred Music
Page Count: 28
UPC: 654979096566
SKU: 00-CBM05007C

More about this title

About the Arranger: Jack Bullock

Jack Bullock

Jack Bullock brings decades of real-world music experience to his work as a composer and arranger. A trumpet performer who played with the Miami Philharmonic Orchestra and Miami Opera Company, he also logged years performing with regional show bands and national touring ensembles, giving him deep familiarity with the demands of live performance across multiple genres.

Bullock's teaching career spans 20 years in K-12 instrumental music, including seven years as assistant band director at Ithaca College's School of Music, where he also chaired the Music Education Department. His prolific output includes over 600 publications across concert band, orchestra, jazz ensemble, and marching band, and he co-authored the Belwin 21st Century Band Method. He holds degrees at the undergraduate, graduate, and doctoral levels in music education and has been an ASCAP member since 1980.

Why we love this

Bullock has assembled five instantly recognizable New York standards into a single, cohesive medley that captures the spirit of the city without requiring elaborate staging or thematic development from your ensemble. The Grade 3 voicing keeps all sections engaged and ensures accessibility across mixed-ability concert bands, while the 4:23 runtime gives you a substantial program piece that lands with impact. Directors consistently report that audiences respond with genuine enthusiasm to this material—it's familiar enough to sing along with, but framed skillfully enough to hold the ensemble's dignity.

What to expect

A joyful, urbane celebration of New York's musical legacy. The arrangement captures the swagger and romance of Golden Age Broadway while keeping the scoring transparent enough that younger or developing bands can execute it cleanly and with pride.

Who it's for

Concert bands at Grade 3 level, from high school groups to robust community ensembles. Directors preparing pops concerts, patriotic programs, or any concert that benefits from accessible, well-loved American music will find this a reliable crowd-pleaser that requires no dramatic skill or maturity from the ensemble.

How to get the most out of it

  • Balance the melody between your principal and section players as it passes through the ensemble; these tunes carry recognition, so clarity in the lead voice matters more than weight.
  • Pay attention to the transitions between songs. Even though they're medley-connected, each tune deserves its own character, so use tempo and articulation shifts to signal the change clearly.
  • Let the rhythm section settle the groove early in each section. The Broadway style demands relaxed, confident time rather than pushed or mechanical precision.

How to use it

Program this as a standalone finale to a concert celebrating American music, or pair it with other pops and light classical selections to create a spring or community concert program. The familiar material and upbeat character make it an excellent choice for performances where building audience connection is as important as instrumental challenge.

Skills your students will build

  • Balancing melodic clarity when multiple sections share the lead
  • Executing smooth transitions between contrasting musical sections
  • Playing Broadway-style articulation and phrasing with appropriate lilt
  • Maintaining ensemble cohesion across medley format

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