A Ring of Emeralds for SATB Choir and Piano: Choral Works (inc. Oratorios)

This single-page octavo offers choral directors a piece that doesn't demand extensive rehearsal time while still delivering musical substance. Bassett's writing for SATB voices respects the singers' abilities and creates a satisfying ensemble sound without unnecessary complexity.

The piece carries a lyrical, contemplative quality that suggests both accessibility and depth. Bassett's harmonic language unfolds with clarity, creating moments of harmonic interest without demanding experimental vocal techniques.

This work suits intermediate to advanced SATB choirs looking for repertoire that's approachable in length but musical in substance. Directors programming concerts that need elegant, thoughtful pieces will find this useful at any level of vocal development.

• Attend to balance between sections; Bassett's voicing often places important lines across multiple parts rather than concentrating them in one voice.
• Shape the piece through dynamic architecture rather than tempo changes, allowing the harmonic language to carry the musical narrative.
• Work the piano part early in rehearsals so accompaniment provides harmonic grounding for the choir's intonation.

A single-page work functions well as a recital opener or as part of a mixed program of American choral repertoire. Its length makes it ideal for concerts where you want to include contemporary American composition without shifting the entire evening's focus.

• Sustaining long vocal lines with secure intonation
• Blending SATB voicing where harmonic interest moves between sections
• Responding to a sophisticated but accessible harmonic language