A Psalm Of Praise! Sheet Music Preview

A Psalm Of Praise!: SATB Choral Octavo

By Don Besig / By Nancy Price

Item: 35-DS00411467

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Additional Details
Publisher: Hal Leonard
Page Count: 15
SKU: 35-DS00411467

More about this title

About the Composer: Don Besig

Don Besig

Don Besig spent three decades teaching music in public schools across western New York, building award-winning concert choirs and show choirs that earned recognition at clinics, contests, and community performances. His experience spans all grade levels, and he currently serves as director of music at Perinton Presbyterian Church in Fairport, NY.

Recognizing that student singers and volunteer church choirs needed repertoire written with their abilities in mind, Besig began composing for his own ensembles. His prolific output now exceeds 350 published works through leading school and church music publishers, with over 15 million copies in circulation. He has received multiple ASCAP Special Awards, served as guest conductor and clinician in 40 states and Canada, and holds membership in Phi Mu Alpha, ACDA, MENC, NYSSMA, and ASCAP. A graduate of Ithaca College, Besig's commitment to singers at every level continues to shape his compositional voice.

Why we love this

Besig and Price craft a piece that balances accessibility with genuine musical substance. The text carries devotional weight, and the harmonic language supports the message without demanding virtuosity from your singers.

What to expect

Warm and affirmative. The harmonic progressions feel grounded and purposeful, supporting a text of gratitude without becoming overly sentimental or thin.

Who it's for

This octavo works well for volunteer church choirs, high school mixed ensembles, and college singers seeking shorter sacred repertoire that doesn't require specialized training. It fits programs where singers have solid fundamentals but may not be advanced sight-readers.

How to get the most out of it

  • Find the natural phrase breathing points in the text and let them guide your phrasing rather than forcing breath marks at bar lines.
  • Balance the inner voices carefully; soprano and alto lines often carry independent movement that enriches the harmonic color.
  • Layer the dynamic build gradually across the piece rather than jumping between extremes, allowing the music to unfold organically.

How to use it

Place this as an opening anthem in a winter concert or sacred service, or pair it with a contrasting secular piece to show your ensemble's versatility. Its moderate length and accessible range make it ideal for community performances and church services.

Skills your students will build

  • Sustaining vowel shapes across long phrase lines
  • Voice independence within four-part texture
  • Responding to text-driven dynamics and expression
  • Balance between choral blend and individual line clarity

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