A Pretty Girl Is Like A Melody (from Ziegfeld Follies) Sheet Music Preview

A Pretty Girl Is Like A Melody (from Ziegfeld Follies): E-Z Play Today

Item: 35-DS00455530

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A Pretty Girl Is Like A Melody (from Ziegfeld Follies): E-Z Play Today isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00455530

More about this title

About the Creator: Irving Berlin

Irving Berlin composed "A Pretty Girl Is Like A Melody" for the 1919 Ziegfeld Follies, cementing it as one of Broadway's most enduring standards. Berlin's gift for crafting memorable melodies with sophisticated harmonic support made him a defining voice in American popular music, and this song exemplifies his ability to create numbers that work equally well in the theater, on the radio, or in the jazz club.

Why we love this

The E-Z Play arrangement strips away arrangement complexity without sacrificing the song's elegance. Students get a genuine standard in just two pages, making it practical for recitals, jazz combos, or casual performance settings without requiring months of preparation.

What to expect

Bright and sophisticated, with the kind of melodic simplicity that belies genuine compositional craft. The song carries an inherent warmth that recalls a gentler era of theater while remaining instantly accessible to modern ears.

Who it's for

Piano students moving beyond simplified method book materials and ready for real repertoire. Jazz pianists wanting to expand their standards vocabulary. Music teachers looking for a short, stylish piece for student recitals or community performances.

How to get the most out of it

  • Balance the melody against the accompaniment so the tune stays conversational rather than belted; this is a song meant to charm, not announce itself.
  • Lean into the swing feel if you're playing it in a jazz context, but don't overstate rubato in the melody line; Berlin's orchestrations valued clarity of the tune.
  • Keep the harmonic movement moving forward through chord changes rather than dwelling on each sonority; the song's elegance comes from its propulsive harmonic rhythm.

How to use it

Pair this with other Berlin standards for a themed showcase or use it as a palate cleanser between heavier classical works. It's also ideal for student recitals where performers need something polished that doesn't demand advanced technical facility.

Skills your students will build

  • Jazz chord voicings and substitutions in the accompaniment
  • Balancing melody and harmony in performance
  • Interpreting swing rhythms and articulation
  • Phrasing and rubato within a standard song form

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