A Place At The Table Sheet Music Preview

A Place At The Table: Choral Instrumental Pak

As performed by Mary McDonald / As performed by Shirley Erena Murray / Arranged by Ed Hogan

Item: 35-PK00417177

Digital Download
$26.95

Parts Added to Cart!

Description
A Place At The Table

A Place At The Table: Choral Instrumental Pak isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
SKU: 35-PK00417177

More about this title

About the Artist: Mary McDonald

Mary McDonald is a respected voice in contemporary Christian music, known for writing accessible yet spiritually substantive songs that resonate across congregational and choral contexts. Her work balances melodic appeal with lyrical depth, creating pieces that engage both singers and audiences in meaningful ways.

Why we love this

Ed Hogan's arrangement transforms this song into a fully realized choral work with instrumental support, making it ideal for groups seeking contemporary sacred repertoire that feels both modern and liturgically grounded. The Choral Instrumental Pak format gives you flexibility to perform with full accompaniment or adapt to your ensemble's instrumentation.

What to expect

Warm, inclusive, and direct. The song carries an invitational quality that resonates with singers and listeners alike, creating a sense of belonging and affirmation. The arrangement opens space for both reflective moments and fuller, more celebratory passages.

Who it's for

This arrangement serves church choirs, community ensembles, and school choral programs looking to add contemporary sacred music to their repertoire. It works equally well for special services, concert programming, or ministry-focused performances.

How to get the most out of it

  • Establish the ensemble sound first in rehearsal without the accompaniment track, so singers internalize their parts and don't become dependent on the recording.
  • Balance the vocal blend carefully during sections where instruments double the choir; the voices should remain the primary focus.
  • Pay attention to diction on the title phrase, as its repetition carries the emotional weight of the arrangement.

How to use it

Consider this for a contemporary service alongside more traditional hymns, or as the anchor piece in a themed concert exploring belonging and community. It also pairs naturally with other modern sacred works by Murray and similar composers.

Skills your students will build

  • Singing contemporary hymnody with attention to phrasing and storytelling
  • Balancing choir sound with instrumental accompaniment
  • Interpreting text with sincerity while maintaining musical integrity

You May Also Like