A Pilot's Hymn Cover Image

A Pilot's Hymn: Concert Band Conductor Score & Parts

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A Pilot's Hymn Cover Image

A Pilot's Hymn: Concert Band Conductor Score & Parts

By Aric Branchfield

Grade: 1

Item: 36-50100166

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Description
The limited ranges and skillful scoring of this original work will help the young ensemble learn how to control tone and intonation. Both of the clarinet parts remain below the break, first trumpet goes briefly to D, and the other brass instruments have n

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, A Pilot's Hymn: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: LudwigMasters Beginning Band
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-361414-X
ISBN13: 978-1-63-361414-7
UPC: 654690429797
SKU: 36-50100166
Instrumentation: Concert Band

More about this title

Why we love this

Branchfield writes with genuine understanding of what beginning bands need: ranges that sit comfortably without forcing technique, and orchestration that rewards careful listening across all parts. The hymn form itself teaches young players to sustain tone and blend, which are far more valuable lessons than flashy passage work.

What to expect

Dignified and reflective. The hymn style creates a spacious, reverent atmosphere where every note matters and silence becomes as important as sound. Young players hear themselves as part of something larger than individual parts.

Who it's for

Beginning concert bands and Grade 1 ensembles building fundamentals. This work suits groups focused on intonation, blend, and sustained tone rather than technical display.

How to get the most out of it

  • Shape each phrase with a long breath; resist the impulse to chop the line into small segments. Young players often think short, so model the full arc you want to hear.
  • Isolate the clarinet sections in rehearsal. Keeping both parts below the break removes a common register issue, but intonation still requires focused listening between first and second.
  • Balance the brass so the hymn tune sings clearly. With limited ranges, no single player can carry the line alone; it's a collective sound that matters.
  • Work dynamics early. Even at Grade 1, students can control volume with intent, and a hymn gives you natural places to practice crescendo and diminuendo without complicated rhythms getting in the way.

How to use it

Program this early in a concert to set a serious tone, or place it strategically before a lighter selection to give the ensemble a collective breath. It also works well as a seasonal piece or a tribute to an occasion that calls for solemnity.

Skills your students will build

  • Sustaining tone and controlling air pressure across a full phrase
  • Listening for blend and balance within a homophonic texture
  • Matching intonation when playing in unison or close harmony
  • Shaping dynamic contour without rhythmic complexity as a distraction
  • Understanding hymn style conventions and phrasing

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