A Percy Grainger Portrait Cover Image

A Percy Grainger Portrait: Concert Band Conductor Score

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A Percy Grainger Portrait Cover Image

A Percy Grainger Portrait: Concert Band Conductor Score

Featuring: Irish Tune from County Derry / Mock Morris / My Robin Is to the Greenwood Gone / Children's March: Over the Hills and Far Away

By Percy Aldridge Grainger / arr. Douglas E. Wagner

Grade: 3 (Medium Easy)

Item: 00-32521S

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Description
The boundless energy and passion for life of Australian-born composer Percy Aldridge Grainger is reflected in the four works included in this eclectic sampling of his music: "Irish Tune From County Derry," "Mock Morris," "My Robin Is To The Greenwood Gone," and closing with "Children's March: Over the Hills and Far Away." Combining Grainger's genius with a contemporary scoring by Douglas Wagner, this one is a sure-fire winner!

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Additional Details
Series: Belwin Concert Band
Publisher: Alfred Music
Page Count: 20
UPC: 038081377858
SKU: 00-32521S

More about this title

About the Composer: Percy Aldridge Grainger

Percy Aldridge Grainger (1882–1961) was an Australian pianist, composer, and conductor whose restless creativity and deep fascination with folk music shaped a body of work that remains vital in band and orchestral repertoires. He collected folk songs across the British Isles and Scandinavia, arranging them with harmonic boldness and orchestral imagination that elevated traditional melodies into concert masterworks. His band transcriptions preserve the character of original tunes while expanding their emotional range through sophisticated voicings and colorful instrumentation.

Grainger's approach to arrangement anticipated modern concert band writing. He treated folk material not as museum pieces but as living music worthy of expressive elaboration, a philosophy that made his works beloved by audiences and invaluable to music educators seeking repertoire that honors tradition while engaging contemporary ears.

Why we love this

This collection showcases Grainger's gift for transforming folk melody into concert art without sacrificing accessibility. Wagner's orchestration honors the original material while providing clear textural balance and section independence, making it genuinely playable for Grade 3 ensembles. The four contrasting works span mood and character, giving you programming flexibility and enough variety to sustain audience interest across a single suite.

What to expect

Grainger's gift was making folk tune feel both ancient and alive, and this portrait captures that contradiction throughout. You encounter wistful Irish melody, spirited dancing rhythms, pastoral tenderness, and unbridled joy, each piece offering a distinct emotional color while maintaining a through-line of Grainger's warm harmonic language and orchestral generosity.

Who it's for

Conductors seeking substantial, concert-ready repertoire at an achievable technical level will find this collection ideal for mid-level concert band ensembles. Directors who value folk material and want to expose students to Grainger's arranging genius without the complexity of his original band scores will benefit from Wagner's thoughtful modern scoring. This suite works for ensembles building toward festival or contest performance.

How to get the most out of it

  • Shape the long melodic lines in 'Irish Tune' with careful dynamic control and consistent vibrato from the principal voice; Grainger's beauty lies in the singing quality, not in hitting volume.
  • Balance the rhythmic drive in 'Mock Morris' by locking the articulation across similar voice pairs (clarinets with clarinets, saxophones with saxophones) before blending sections together.
  • Let the softer passages in 'My Robin Is To The Greenwood Gone' breathe; resist the urge to push tempo, and allow space between phrases for the harmonic coloring to register.
  • Build momentum toward 'Children's March' with clear beat articulation and encourage the ensemble to embrace the march character without letting it become mechanical.

How to use it

This four-movement suite functions well as a standalone concert work, allowing you to program it as a single unit rather than scattering individual pieces across a concert. It also serves as an excellent introduction to folk-based repertoire and Grainger's aesthetic; pairing it with contemporary folk arrangements or with other Grade 3 masterwork arrangements creates a thematic programming strategy. Consider placing it early in a concert where its accessible melodies and narrative arc can draw in listeners unfamiliar with concert band literature.

Skills your students will build

  • Phrasing and shaping of sustained melodic lines
  • Rhythmic precision in march-style passages
  • Blending contrasting section textures and timbral balance
  • Interpretation of dynamic subtlety and color in arrangement
  • Reading straightforward concert band full score conventions

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