A Night in Tunisia: Jazz Ensemble Conductor Score & Parts
As performed by Dizzy Gillespie / Arranged by Michael Philip Mossman
Grade: 5
Item: 35-PK01210321
$65.00
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Description
Written for and recorded by Mario Bauza, Michael Philip Mossman adds his own unique flare to this Dizzy Gillespie Latin jazz classic. Featured soloists include trumpet (of course), as well as trombone and alto. A great showcase for the entire ensemble!
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK01210321
More about this title
About the Artist: Dizzy Gillespie
Dizzy Gillespie fundamentally changed the trajectory of jazz in the 1940s by fusing bebop's harmonic sophistication with Latin rhythmic elements. His work as a trumpeter, bandleader, and composer created a template for modern big band writing that remains essential study for any ensemble working in the jazz idiom.
Gillespie's commitment to cultural exchange through music shaped decades of jazz pedagogy. His collaborations with Afro-Cuban musicians established Latin jazz as a major voice in American music, and his compositions continue to challenge and inspire student musicians at every level.
Why we love this
Mossman's arrangement captures the infectious energy of this bebop landmark while giving your ensemble genuine solo opportunities that feel earned rather than obligatory. The Grade 5 level hits that sweet spot where your section players get to breathe and showcase their chops without the arrangement collapsing if someone misses a cue.
What to expect
Energy that feels both joyful and intellectually rigorous. The Latin percussion drives everything forward with infectious momentum, while the horns trade clever, bebop-inflected phrases that demand precision and phrasing from every player. This is music that makes people want to listen and makes musicians want to work.
Who it's for
Your Grade 5 jazz ensemble that's ready for something with real historical weight and sophisticated harmonic language. This works equally well for an ensemble concert or a jazz history unit where students learn why this tune matters.
How to get the most out of it
- Lock the trumpet solo's rhythmic pocket against the written vamp. This isn't a time for rushing; the magic lives in the space between phrases.
- Have your rhythm section rehearse the Latin feel independently before bringing in the horns. The clave pattern needs to live in their bodies first.
- Balance trumpet brilliance against trombone and alto sax solos by adjusting your section volumes in rehearsal. Each solo deserves its own spotlight without stepping on the next one.
- Map out your dynamic journey across the full chart. Gillespie's writing builds momentum, and a conductor who shapes that arc makes the difference between a good performance and a memorable one.
How to use it
Pair this with other Gillespie standards to build a cohesive jazz history segment, or program it as the centerpiece of a Latin jazz spotlight that celebrates cultural fusion in American music. The soloists shine brightest when they've had time to develop their interpretations in rehearsal, so allow yourself adequate prep time if you want the performance to land.
Skills your students will build
- Latin jazz rhythmic feel and clave patterns
- Bebop-style improvisation and phrasing
- Ensemble balance in multi-solo contexts
- Comping and accompaniment sensitivity
- Reading and executing syncopated big band parts