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A Night at the Opera: Piano Book

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A Night at the Opera Cover Image

A Night at the Opera: Piano Book

Stories of Great Operas with Early Intermediate to Intermediate Piano Arrangements

By Bernadine Johnson and Carol Matz

Level: Early Intermediate / Intermediate

Item: 00-22543

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Description
Explore seven operas with piano arrangements, historical information, and fun activities.

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Additional Details
Series: Learning Link
Publisher: Alfred Music
Page Count: 56
ISBN10: 0-7390-3917-2
ISBN13: 978-0-7390-3917-5
UPC: 038081234823
SKU: 00-22543

More about this title

About the Author: Bernadine Johnson

Bernadine Johnson

Bernadine Johnson holds a B.A. in Music Education from Indiana Wesleyan University and has spent decades teaching piano students across all ages and skill levels from her studio in Fremont, Michigan. Her deep roots in the Michigan music education community include active membership in the Grand Rapids Piano Teacher's Forum, Michigan Music Teacher's Association, and Newaygo County Piano Teacher's Group, where she has earned recognition including the 1999 Newaygo County Cultural Programs Award.

Johnson's work as a clinician, adjudicator, and former faculty member at Blue Lake Fine Arts Camp reflects her commitment to meaningful music instruction. Her publications through Alfred Music, co-authored with Carol Matz, have introduced students to classical works through creative, accessible arrangements. Beyond A Night at the Opera, her compositions include Scenes from The Nutcracker and numerous solo pieces that bring masterworks into the studio and classroom.

Why we love this

This collection bridges performance and cultural literacy in a format students actually enjoy. Rather than isolating movements or excerpts, Johnson and Matz weave together piano arrangements, historical context, and engaging activities that make operatic storytelling accessible without sacrificing musical substance. Your intermediate students will finish this book with a genuine understanding of why these works matter.

What to expect

Stepping into a theater lobby where multiple stories unfold across grand stages. The arrangements let you taste the drama and orchestral color of opera while your two hands manage the textures, moving between lyrical passages that soar and rhythmic sections that drive forward.

Who it's for

Intermediate pianists ready to explore standard repertoire with real context. This works for students who ask "why" about what they're playing and benefit from understanding the bigger picture before committing technical energy to a piece.

How to get the most out of it

  • Study the historical information before diving into each piece; knowing the plot and composer's intent transforms how you shape phrases and interpret dynamics.
  • Record yourself playing through all seven pieces in sequence to experience how the collection builds momentum and connects different operatic styles.
  • Work through the activities alongside your practice routine; they often unlock interpretive choices you might otherwise miss.

How to use it

Assign one or two pieces across a semester to build familiarity with operatic literature without overwhelming students. The historical notes and activities make this ideal for students preparing for music history discussions or planning a student recital themed around "classical connections." Some teachers use individual pieces as supplementary repertoire alongside classical sonatas to add stylistic variety.

Skills your students will build

  • Identifying and playing characteristic operatic phrases (arias, recitatives, ensemble passages)
  • Understanding harmonic language from different operatic periods
  • Interpreting historical and stylistic context to inform tempo and dynamic choices
  • Managing hand position and finger independence across evolving textures
  • Reading and responding to the dramatic arc within a single piece

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