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A Mighty Fortress Is Our God: Early Advanced Piano Book

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A Mighty Fortress Is Our God: Early Advanced Piano Book

Arranged by Marilynn Ham

Item: 98-FJH1393

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Description
Written especially for the advanced piano student or the adult church musician, this eclectic and delightful piano solo collection by Marilyn Ham will prove to be a valuable source for preludes, offertories, and postludes, as well as contest and recital material.

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Additional Details
Series: The FJH Sacred Piano Library
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-324-9
ISBN13: 978-1-56-939324-6
UPC: 674398212972
SKU: 98-FJH1393

More about this title

About the Arranger: Marilynn Ham

Marilynn Ham

Marilynn Ham has spent decades establishing herself as one of the country's most prolific and respected arrangers of sacred piano music, with over twenty-five books to her name. A college professor and Artist-in-Residence at Bethel College in Indiana since 1989, she holds degrees from Northern Michigan University and the University of Wisconsin, and has taught applied piano in both sacred and classical repertoire throughout her career. Her formative years in a large Michigan family deeply rooted in church music shaped her distinctive voice; growing up with fourteen siblings and her mother's influence at the keyboard gave her an intimate understanding of how sacred music functions in worship and performance contexts.

Ham's national reputation rests on her gift for crafting advanced arrangements that serve both liturgical and concert purposes. She has recorded her own piano music professionally, conducted workshops across the country, and earned recognition as Professor of the Year during her earlier teaching positions. Her work consistently balances musical sophistication with accessibility for serious students and church musicians seeking material that elevates their programs without requiring virtuosic technical feats.

Why we love this

Ham's collection arrives at a sweet spot that many church musicians and piano teachers desperately need: substantial, artfully written material that works equally well as a Sunday morning prelude and a competitive recital piece. The book reflects her years of experience knowing exactly what advanced pianists can pull off under deadline in a worship setting, while still offering enough musical substance to engage serious students preparing for competitions or solo performances.

What to expect

These arrangements balance reverence with color, offering thoughtful harmonies and varied textures across a collection rooted in hymnody and sacred themes. The writing feels conversational and warm rather than austere, with moments of genuine lyricism alongside passages that invite interpretive freedom and musical expression.

Who it's for

Advanced pianists preparing solo material for competitions, recitals, or auditions will find strong repertoire here, as will church musicians and organists looking for substantial keyboard works that fit the liturgical calendar. Adult amateur pianists returning to serious study also benefit from this collection; the pieces are genuinely rewarding to perform without demanding virtuosity for its own sake.

How to get the most out of it

  • Pay attention to registrations and voicing choices in each arrangement; Ham's orchestration of the keyboard often suggests specific color and balance, so explore how dynamics and touch can honor her intent.
  • Study the harmonic language before diving into technical passages; many of these pieces reward understanding the underlying chord movement and how melodies interact with it.
  • Use the liturgical context (prelude, offertory, postlude) as a guide for tempo and interpretive choices; the length and function of each piece should shape how you shape phrases.
  • Consider how sustained pedal can enhance resonance in the quieter moments without blurring harmonic clarity; Ham's writing often benefits from sensitive pedal work that reinforces rather than muddies the harmony.

How to use it

Pair individual pieces with your liturgical year or concert programming; a single arrangement from this book can anchor a service or serve as the centerpiece of a student recital without requiring additional context. Consider programming one as a recital opener or closer, since Ham's arrangements arrive fully formed and don't need to build from simpler material.

Skills your students will build

  • Reading and performing advanced harmonic language with chromatic voice leading
  • Controlling dynamics and tone color across multiple registers simultaneously
  • Interpreting hybrid forms that blend hymn-based material with concert composition techniques
  • Managing pedal for textural clarity rather than sustain in complex voicings
  • Navigating varied tempi and interpretive flexibility within structured liturgical frameworks

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