A Midsummer Night's Dream: Incidental Music, Op. 61; No. 5: Intermezzo Cover Image

A Midsummer Night's Dream: Incidental Music, Op. 61; No. 5: Intermezzo: Full Orchestra, Conductor Score & Parts

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A Midsummer Night's Dream: Incidental Music, Op. 61; No. 5: Intermezzo Cover Image

A Midsummer Night's Dream: Incidental Music, Op. 61; No. 5: Intermezzo: Full Orchestra, Conductor Score & Parts

By Felix Mendelssohn

Item: 36-A171102

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Description
Felix Mendelssohn (1809-1847) wrote music for William Shakespeare's play A MIDSUMMER NIGHT'S DREAM on two separate occasions. He first wrote the concert overture in E Major, Op. 21 in 1826 at the age of seventeen for no other reason than the love that he and his siblings had for Shakespeare's stage works. He wrote the incidental music, Op. 61 (likely the best-known incidental music in the repertoire) in 1842 as a commission from King Frederick William IV of Prussia. In creating the complete later version, the composer incorporated the original overture, Op. 21 as the overture for the incidental music and the first of the 14 numbers. Starting with what must be four of the most evocative and memorable chords in music, the work also is the origin of the Wedding March (No. 9) used in so many ceremonies today, commonly referred to as "Here Comes the Bride." The work was premiered in Potsdam, Germany on October 14, 1843 by the Leipzig Gewandhaus Orchestra, conducted by the composer. The "Intermezzo" movement, No. 5, is here excerpted for those looking for a lighter and shorter piece to work into a program. Instrumentation: 2.2.2.2: 2.0.0.0: Str (9.8.7.6.5 in set).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 659859185200
SKU: 36-A171102
Instrumentation: 2.2.2.2: 2.0.0.0: Str (9.8.7.6.5 in set)

More about this title

About the Composer: Felix Mendelssohn

Felix Mendelssohn (1809–1847) was a Romantic composer whose deep engagement with literature shaped much of his output. His relationship with Shakespeare's works began in childhood, nurtured by his family's love of theater, and culminated in some of the most celebrated orchestral music ever written for dramatic works. Beyond his theatrical music, Mendelssohn's contributions to the concert repertoire—symphonies, concertos, chamber works, and the oratorio Elijah—established him as a bridge between Classical form and Romantic expression.

Mendelssohn's career encompassed both composition and conducting. He served as conductor of the Leipzig Gewandhaus Orchestra and led the Berlin court orchestra, championing contemporary works alongside the classics. His meticulous approach to orchestration and his sensitivity to instrumental color made him equally influential as a performer and creator of music.

Why we love this

The Intermezzo sits at a sweet spot for orchestras seeking genuine concert-quality music that doesn't demand the rehearsal time of longer works. Mendelssohn's orchestration remains transparent and elegant throughout, making this excerpt a rewarding showcase for your ensemble's ability to balance delicate textures and sustain musical momentum without bombast.

What to expect

Graceful and buoyant, with a gentle charm that feels more intimate than grand. The Intermezzo captures the mischievous, magical quality of Shakespeare's enchanted forest without demanding dramatic intensity; instead, Mendelssohn's orchestration sparkles with delicate figurations and warm harmonic colors that invite the listener into a moment of quiet enchantment.

Who it's for

Orchestra conductors and music directors looking to program a shorter, standalone excerpt from one of literature's most celebrated musical settings. This movement works well for conductors who want to include Mendelssohn without committing to the full Midsummer Night's Dream suite, and for orchestras seeking audience-friendly Romantic repertoire that's musically sophisticated but straightforward to execute.

How to get the most out of it

  • Balance the woodwind voicings carefully in passages where flutes and oboes carry the melody; let the strings provide warmth beneath rather than competing for prominence.
  • Maintain a consistent, lyrical pulse that feels unhurried but never static; Mendelssohn's harmonic movement creates forward momentum even when tempos are moderate.
  • Bring out inner voices and countermelodies in the strings and second woodwinds; they're written with intention and add depth to the overall texture.
  • Shape phrases with clear articulation at cadences, allowing slight breath space before new thematic material enters so the form reads clearly to the audience.

How to use it

Program this as a palate-cleansing centerpiece between heavier works on a concert exploring Romantic orchestral music, or pair it with other concert-hall excerpts from dramatic works to demonstrate how composers translate theatrical narrative into purely instrumental forms. It also serves as an excellent introduction to Mendelssohn for audiences unfamiliar with his orchestral writing, offering immediate accessibility without sacrificing sophistication.

Skills your students will build

  • Balancing ensemble texture with varied orchestral colors (woodwinds, strings, and brass at different dynamic levels)
  • Maintaining consistent pulse and phrasing in lyrical, moderately-paced music
  • Reading conductor score and following complex part distributions across the full orchestra
  • Sustaining musical lines through harmonic changes and inner-voice countermelodies

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