A Mad Russian's Christmas Cover Image

A Mad Russian's Christmas: Concert Band Conductor Score & Parts

$72.00 USD
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A Mad Russian's Christmas Cover Image

A Mad Russian's Christmas: Concert Band Conductor Score & Parts

As Performed by Trans-Siberian Orchestra

Music by Paul O'Neill, Robert Kinkel, and Peter Ilyich Tchaikovsky / arr. Bob Phillips and George Megaw

Grade: 3 (Medium Easy)

Item: 00-43153

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Description
As performed in the fabulous Trans-Siberian Orchestra live concert, experience Tchaikovsky's "Trepak" from The Nutcracker as you never have before. Just as energetic with wind and percussion instruments alone, several included optional parts enhance the authenticity. If you haven't seen TSO, check it out online. If you add lighting effects, there are no better choices for your holiday concert closer! (4:30)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, A Mad Russian's Christmas: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Concert Band
Publisher: Alfred Music
Page Count: 278
ISBN10: 1-4706-5637-X
ISBN13: 978-1-4706-5637-9
UPC: 038081504032
SKU: 00-43153

More about this title

About the Composer: Paul O'Neill

Paul O'Neill founded Trans-Siberian Orchestra in 1993 and has served as the group's composer, lyricist, and creative force ever since. His work blends classical music with rock instrumentation and theatrical production, creating a distinctive sound that has made TSO one of the most successful touring acts in live music. O'Neill's arrangements and original compositions for the ensemble have introduced millions of listeners to classical repertoire reimagined through a contemporary lens.

Why we love this

This arrangement captures the frenetic energy of Tchaikovsky's "Trepak" while remaining entirely playable by a concert band without strings. The rock-influenced orchestration and optional parts give directors flexibility to scale the production up or down, making it work for bands of different sizes. As a holiday closer with genuine theatrical appeal, it gives your audience something they won't forget, especially if you embrace the performance possibilities with lighting or staging.

What to expect

High-octane and infectious, this take on "Trepak" propels forward with relentless drive. The combination of Tchaikovsky's instantly recognizable melody with electric rock grooves creates an exhilarating tension that keeps audiences engaged from the first note to the final crash.

Who it's for

Concert bands at the intermediate level seeking a showstopping holiday finale that connects classical tradition to contemporary rock energy. Directors programming concerts with theatrical ambitions will find this particularly valuable, as it responds beautifully to lighting design and staging.

How to get the most out of it

  • Lock the rhythm section early and often during rehearsals. The percussion drives this piece forward, so establish a solid foundation with drums and mallets before layering in the winds.
  • Balance the rock-influenced grooves with clarity in the melody lines. Tchaikovsky's iconic theme must cut through the energy, not disappear under it.
  • Lean into the dynamic contrasts. This piece thrives on sudden shifts in texture and volume, so mark those transitions clearly in your parts and drill them separately.
  • Consider the optional parts as atmospheric enhancement rather than harmonic necessity. Experiment with them in rehearsal to hear how they color the overall sound without becoming obligatory.

How to use it

Reserve this for your winter concert closer. Its four and a half minute runtime and theatrical demands make it ideal for a final statement that sends the audience out energized. Program it after your more traditional holiday selections to create a stylistic pivot that showcases your band's versatility.

Skills your students will build

  • Reading and executing rhythmic figures across rock and classical idioms simultaneously
  • Balance and blend when the melody passes between sections within a unified groove
  • Precision in ensemble hits and releases, critical to the piece's dramatic gestures
  • Interpreting and responding to conductor cues for dynamic and textural changes at faster tempos

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