Kirby Shaw has established himself as one of the most prolific and respected voices in American choral music, with over 2,500 arrangements and compositions in print that have sold nearly 20 million copies worldwide. His educational credentials include degrees in Music Education and Choral Composition from San Jose State University, plus a DMA in Choral Conducting from the University of Washington. Beyond his compositional output, Shaw has maintained an active presence in music education across North America, Australia, and Europe, bringing his distinctive blend of musicianship and humor to choirs at every level.
Shaw's career reflects a deep engagement with both classical choral traditions and contemporary vocal jazz. He founded and directed acclaimed vocal jazz ensembles at the College of the Siskiyous, Colorado State University, and the University of Missouri at Kansas City, and has worked one-on-one with jazz legends including Bobby McFerrin, Al Jarreau, and Jon Hendricks. His arrangements and compositions have earned multiple ASCAP awards, and his work continues to be performed by choirs around the world. Along with his wife Markita, Shaw co-created the original musical Scroogical, based on Charles Dickens' A Christmas Carol.
Why we love this
Shaw's gift for comedic timing and character voice shines in this four-part novelty madrigal. The arrangement captures genuine humor without relying on cheap tricks or overstretched musical jokes, making it a refreshing choice for concert programming that wants to land a laugh without sacrificing musicality.
What to expect
Playful and theatrical, with the energy of a madrigal that delights in its own escalating silliness. Shaw's arrangement invites singers and audiences alike to enjoy the absurdity while maintaining the structural integrity and voice leading that makes the piece musically satisfying.
Who it's for
Choirs looking for a crowd-pleasing novelty number that doesn't sacrifice arranging craft. This works equally well for high school and college ensembles, community choirs, and festival programs where you want to showcase your ensemble's range and personality.
How to get the most out of it
Commit fully to the text and character. The payoff comes from singers who treat the madrigal's absurdity with theatrical sincerity rather than winking at the audience.
Shape phrases with clear punctuation and diction; every word contributes to the comedic effect, so articulation matters as much as precision.
Balance the voices so no single line gets buried. In light repertoire like this, the ensemble's unity and clarity are what make the joke land.
How to use it
Place this in the second half of your concert as a palate cleanser or finale. It pairs well alongside other lighter or comedic numbers and gives your ensemble a chance to demonstrate their versatility and ensemble spirit after more serious repertoire.
Skills your students will build
Madrigal-style text painting and word expression
Ensemble balance across four independent lines
Comic timing and theatrical interpretation of sung text
Clean SATB voice leading and intonation in a playful context
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