A Little Scherzo: Piano
A Little Scherzo Sheet Music Preview

A Little Scherzo: Piano

By Reed Burkholder

Item: 98-DS4143
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$2.95

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Description
Expect big things from this little scherzo. A triplet pickup rolling into staccato triads give this piece its initial march-type feel. Then listen for simple yet surprising modulations that have real harmonic character. While rhythmically similar to Mad Max's March, it creates an altogether different, introspective impression. Consider them as a set!

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Additional Details
Series: Spotlight Solo Sheets
Publisher: The FJH Music Company, Inc.
SKU: 98-DS4143

More about this title

Why we love this

Burkholder writes with genuine harmonic sophistication wrapped in an accessible package. The modulations here feel earned and expressive rather than showy, and the piece rewards careful listening without demanding technical heroics. It's the kind of writing that makes pianists want to dig deeper into interpreting small details.

What to expect

A piece that opens with military precision, then surprises you by turning inward. The staccato march-like opening gives way to shifting harmonic colors that feel reflective and searching. Despite its small size, it carries real emotional weight.

Who it's for

Intermediate pianists seeking repertoire that combines rhythmic clarity with harmonic interest. This solo works well for students ready to move beyond predictable progressions but who benefit from a compact, focused form.

How to get the most out of it

  • Shape the staccato triads with clear articulation in the opening so the march-type character lands firmly before the modulations shift the mood.
  • Balance harmonic surprises by letting the voice leading breathe; these modulations deserve slightly more space than a straightforward harmonic progression would.
  • Pair this with Mad Max's March in your practice or performance planning to discover how two rhythmically similar pieces create such different emotional terrain.
  • Attend to the triplet pickup as a gesture that sets the energy; it's small but essential to the piece's initial character.

How to use it

Ideal as a recital opener or closer that catches listeners off guard with its introspective turn. Programming it alongside Mad Max's March creates an interesting study in how similar rhythmic ideas can create opposite moods. It also fits well in a short piano solo concert or student showcase where variety and sophistication matter.

Skills your students will build

  • Articulation control (staccato voicing in chords)
  • Voice leading awareness across harmonic modulations
  • Dynamic contrast between march-like opening and introspective harmonic development
  • Interpretation of harmonic function and emotional subtext within a small form

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