A La Nanita Nana (Hear Lullabies And Sleep Now) Sheet Music Preview

A La Nanita Nana (Hear Lullabies And Sleep Now): SSA Choral Octavo

Arranged by Greg Gilpin

Item: 35-DS00302519

Digital Download
$2.99
Description

A La Nanita Nana (Hear Lullabies And Sleep Now): SSA Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS00302519

More about this title

About the Arranger: Greg Gilpin

Greg Gilpin

Greg Gilpin has established himself as one of the country's most prolific choral arrangers and composers, with an ASCAP award recognizing his contributions to the field. His conducting experience spans some of America's most prestigious venues, from Carnegie Hall and Lincoln Center in New York to the Ryman in Nashville, with additional performances at the Sydney Opera House, Royal Festival Hall in London, and Harpa in Reykjavik. Beyond his work in music, Gilpin has expanded his expertise into professional organizing and financial coaching, bringing the same precision and clarity he applies to orchestration into these new professional pursuits.

Currently serving as Director of Educational Choral Publications for Shawnee Press, Gilpin continues to shape the landscape of accessible, high-quality choral music for student ensembles. His recent work includes composing the award-winning score for the short film "Rosie's Rescue" and collaborating with renowned soprano Angela Brown on a fresh arrangement of "What Child is This?" that premiered with the Indianapolis Symphonic Choir. A member of ACDA, NAfME, SAG-AFTRA, and a Life Loyal Member of Phi Mu Alpha Sinfonia, Gilpin remains deeply invested in choral education and artistry.

Why we love this

Gilpin's arrangement transforms this beloved lullaby into a vehicle for warmth and ensemble cohesion. SSA voicing makes it accessible to middle school and developing high school choirs while the Latin repertoire adds cultural richness to concert programming without requiring specialized vocal technique or excessive rehearsal time.

What to expect

Gentle and intimate, like a folk melody passed through generations. The arrangement preserves the simplicity and comfort of a traditional lullaby while adding harmonic support that feels natural rather than ornamental.

Who it's for

Middle school and early high school choirs seeking accessible Spanish-language repertoire that builds confidence in emerging vocal ensembles. Directors programming a concert with cultural diversity or planning a winter concert that calls for repertoire beyond English texts will find this straightforward to prepare.

How to get the most out of it

  • Allow the melody to breathe naturally; avoid pushing the tempo even when the style suggests relaxation. Lullabies demand patience and space between phrases.
  • Balance the inner voices carefully so the harmony supports rather than obscures the primary line. Gilpin's arranging typically features singing dialogue between sections that works best when each part maintains independence.
  • Shape dynamics through the arch of each phrase rather than sudden changes. A gradual diminuendo into phrases feels more authentic to lullaby character than stepped reductions in volume.

How to use it

Pair this with other world languages or cultural celebrations to create programming variety without excessive rehearsal demands. It works particularly well in holiday or winter concerts where a moment of quiet reflection balances more energetic selections, or as part of a brief Spanish-repertoire segment in a larger concert.

Skills your students will build

  • Singing sustained tones with consistent vowel shape across a narrow range
  • Blending in three-part writing with equal weight given to melody and harmony
  • Interpreting text expression and phrasing in a non-English language
  • Balancing soft dynamic control without losing resonance or support

You May Also Like