A Jamaican Christmas: Concert Band Conductor Score & Parts
Based on "We Wish You a Merry Christmas"
Traditional / arr. Michael Story
Grade: 1 (Very Easy)
Item: 00-PK-0007753
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
Parts Added to Cart!
Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, A Jamaican Christmas: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
Jump straight in and assign it today.
Open this title and explore the full library in minutes.
Sample Audio
Sample Video
Additional Details
More about this title
About the Arranger: Michael Story
Michael Story is a prolific composer and arranger for beginning and intermediate bands, known for making accessible music that doesn't sacrifice musicality or fun. His arrangements for Belwin Beginning Band consistently hit the sweet spot between playability and genuine musical interest, making him a trusted voice in music education publishing.
Why we love this
This arrangement proves that Grade 1 band music can have real personality. Story takes a universally recognizable melody and infuses it with reggae rhythm and instrumentation that feels genuinely Caribbean rather than gimmicky, giving your young ensemble something with genuine character to play.
What to expect
Warm, joyful, and unexpectedly sophisticated despite the accessibility. The Caribbean styling brings sunshine and movement to a familiar melody, creating an arrangement that feels like a celebration rather than a technical exercise.
Who it's for
Young concert bands at the very beginning stages who need repertoire that builds basic ensemble fundamentals while keeping morale high. This works for groups preparing holiday concerts or programming that celebrates diverse musical traditions.
How to get the most out of it
- Lock in the laid-back reggae feel during rehearsal by having students tap the offbeat rhythm with their foot before adding the melody; this grounds the groove in their body, not just on the page.
- Balance the accompaniment voices so the reggae rhythm section (likely in lower brass and woodwinds) sits behind rather than overshadows the melody line.
- Keep the tempo conversational and relaxed; resist the urge to push it. Reggae lives in space and pocket, not in rushing.
How to use it
Place this where you need to shift energy in a holiday concert or winter program. It works beautifully as a second-half opener after more formal seasonal pieces, or as a closing gesture that sends the audience out smiling.
Skills your students will build
- Reading and performing syncopated rhythms in a reggae/Caribbean style
- Maintaining a consistent groove and ensemble pocket
- Balancing melodic and accompaniment roles within a Grade 1 ensemble
- Interpreting musical style indications beyond traditional tempo and dynamic markings