A Holly Jolly Christmas Sheet Music Preview

A Holly Jolly Christmas: Piano/Vocal/Chords

36 Holiday Favorites in a Variety of Styles

Item: 00-PS-0015707

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Description
Brighten the holidays with music! This practical volume contains piano/vocal sheet music for 36 of the world's most famous Christmas songs. Chord fingering grids are provided for optional guitar accompaniment. Titles: Angels We Have Heard on High * Auld Lang Syne * Believe * Blue Christmas * Deck the Halls * Felíz Navidad * The First Noel * Go Tell It on the Mountain * Good King Wenceslas * Happy Xmas (War Is Over) * Hark! The Herald Angels Sing * Have Yourself a Merry Little Christmas * A Holly Jolly Christmas * I'll Be Home for Christmas * It's the Most Wonderful Time of the Year * Jingle Bells * Joy to the World * The Little Drummer Boy * O Christmas Tree * O Come, All Ye Faithful (Adeste Fideles) * O Come, O Come, Emmanuel * O Holy Night * O Little Town of Bethlehem * Rockin' Around the Christmas Tree * Rudolph, the Red-Nosed Reindeer * Santa Baby * Santa Claus Is Comin' to Town * Silent Night * Silver and Gold * Sleigh Ride * The Twelve Days of Christmas * Up on the Housetop * We Three Kings of Orient Are * We Wish You a Merry Christmas * When Christmas Comes to Town * You're a Mean One, Mr. Grinch.

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Additional Details
Series: Top-Requested Sheet Music
Publisher: Alfred Music
Page Count: 112
SKU: 00-PS-0015707

More about this title

About the Composer: Johnny Marks

Johnny Marks (1909-1985) composed some of the most enduring Christmas songs in American popular music. His gift for memorable melodies and straightforward storytelling made his work accessible to singers and pianists across skill levels, earning him a lasting place in holiday repertoires worldwide.

Marks's compositions, including "Rudolph, the Red-Nosed Reindeer" and "Santa Baby," have become standards taught in studios and performed in schools for generations. His ability to write singable vocal lines supported by practical piano arrangements made holiday music education engaging for both teachers and students.

Why we love this

This collection gathers 36 of the most teachable and performable Christmas songs in one volume, eliminating the need to hunt for individual octavos or lead sheets. The inclusion of chord grids makes it genuinely useful for accompanists who read guitar notation, and the piano/vocal format suits voice studios, small holiday concerts, and community performances without requiring an ensemble.

What to expect

Opening this book feels like stepping into the musical heart of Christmas itself. These melodies are comfortable and familiar, yet each one carries distinct character: some sparkle with humor and whimsy, others glow with reverence and stillness. The arrangements strike a balance between simplicity and warmth, letting singers and accompanists shine without demanding virtuosity.

Who it's for

Voice teachers building recital programs, pianists seeking accessible holiday repertoire, guitarists needing quick reference charts for chord voicings, and singers of any age preparing for seasonal performances or informal gatherings. This collection works equally well for classical vocalists wanting to include lighter fare and for pop or musical theater singers rounding out their December calendar.

How to get the most out of it

  • Balance the vocal line clearly against the piano; these songs live and fall on melodic clarity, so ensure the singer isn't buried in accompaniment.
  • Use chord grids to explore different harmonic voicings on piano if the printed arrangement feels overly simplistic for your level.
  • Pay attention to the text setting in each song; Christmas melodies are storytelling tools, so shape phrases around lyrical meaning rather than just rhythmic patterns.
  • Adapt tempo and arrangement to your venue; a song that sparkles in a small studio may need more space and resonance in a larger room.

How to use it

Use selections from this collection to build a complete holiday recital or to slot into a mixed-repertoire concert program. Individual songs work well as encore pieces, and the range of styles means you can program contrasts naturally: sacred next to secular, upbeat beside reflective. This is also a practical teaching resource for voice studios during the November-through-December stretch when holiday requests inevitably arrive.

Skills your students will build

  • Reading piano/vocal score layout with separate vocal melody and accompaniment lines
  • Interpreting chord grids for flexible harmonic accompaniment
  • Performing narrative and character-driven text with clear storytelling intent
  • Adapting familiar melodies to different tempi and arrangements
  • Coordinating ensemble (voice and piano or voice and guitar) through text and harmonic changes

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