A Holiday Wish: SAB Choral Octavo
Music by Jay Althouse
Item: 00-PO-0003782
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About the Composer: Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was honored as a Distinguished Alumnus. Early in his career, he spent eight years as a rights and licenses administrator for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. His prolific output as a choral composer includes more than 800 works performed regularly across the English-speaking world, earning him multiple ASCAP Special Awards for composition.
Beyond his choral writing, Althouse has collaborated with his wife Sally K. Albrecht on several children's musicals and vocal solo collections including Folk Songs for Solo Singers. He co-authored The Complete Choral Warm-up Book and Accent on Composers, and created reproducible classroom resources such as Ready to Read Music and One-Page Composer Bios. His compositions have reached prominent stages, including I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at President Obama's 2009 Inauguration. Althouse resides in North Carolina and serves on the National Advisory Board of the Folk Art Society of America.
Why we love this
This piece captures a genuine emotional core without resorting to saccharine arrangement or overwrought sentiment. The text speaks directly to what matters most during the season, and Althouse's uncomplicated voice leading lets that message land clearly with your singers. The touch of Handel at the close feels earned rather than obligatory, giving your concert a thoughtful moment that audiences remember.
What to expect
Earnest and reflective, this piece asks singers to consider what the season actually means. The melody unfolds gently at first, then gathers warmth and conviction as the harmonies shift and build, creating a moment of quiet conviction rather than bombast.
Who it's for
Any SAB choir seeking holiday repertoire that speaks to listeners as thoughtfully as it does to singers. This works equally well for community choirs, school ensembles, and church programs wanting a secular Christmas selection with substance.
How to get the most out of it
- Shape the text naturally by allowing singers to breathe at phrase endings rather than pushing through mechanically. The simplicity of the melody rewards clear diction and genuine delivery.
- Use the modulation as your structural anchor in rehearsal. Mark the key change explicitly in scores so all sections hear where the energy shifts and builds toward the final statement.
- Balance the accompaniment carefully so it supports without overwhelming the voices. Althouse's straightforward part writing means every moment of harmony matters.
- Highlight the Handel quotation in your final measures by letting it emerge with slight emphasis, inviting the audience to recognize the familiar melody.
How to use it
Place this as a centerpiece in a holiday concert's second half, after lighter selections have established the festive mood. Its contemplative character also serves beautifully in winter concert contexts that mix celebration with reflection, or as a meaningful closer for services where both joy and peace are themes.
Skills your students will build
- Singing through key modulations with secure intonation
- Shaping simple melodic lines with stylistic intention
- Balancing vocal tone to support text clarity
- Recognizing and performing harmonic progressions in three-part mixed voicing