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A Hero's Destiny: Brass Ensemble Conductor Score & Parts

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A Hero's Destiny Cover Image

A Hero's Destiny: Brass Ensemble Conductor Score & Parts

By Brian Balmages

Grade: 5

Item: 98-BR2005

$45.00
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Description
Written by the composer of Symphony No. 1 for Brass, this new work for 13 brass plus percussion opens with a brilliant trumpet fanfare. Designed as a feature piece, it showcases the various abilities of a brass ensemble, ranging from heroic fanfare playing to long, lyrical lines. The composition was premiered by the Skyline Brass Ensemble and was also performed by the Brass Ensemble of the United States Marine Band.

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Additional Details
Series: FJH Solo and Ensemble
Publisher: The FJH Music Company, Inc.
UPC: 674398207213
SKU: 98-BR2005

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has built a career moving fluidly between orchestral, band, and chamber music worlds, with performances spanning Carnegie Hall, the Kennedy Center, Sydney Opera House, and countless other stages internationally. His accolades include the A. Austin Harding Award from the American School Band Directors Association, the 2020 NBA William D. Revelli Composition Contest for Love and Light, and membership in the American Bandmasters Association. He has conducted all-state ensembles, university groups, and professional orchestras across multiple continents, and his work was performed at the 2013 Presidential Inaugural Prayer Service attended by President Obama and Vice President Biden.

Balmages earned his Distinguished Alumni Award from James Madison University's School of Visual and Performing Arts and was later commissioned by the University of Miami to compose for the inauguration of its sixth president. Currently serving as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic, he continues to shape music education through both composition and leadership.

Why we love this

This is a feature piece that actually delivers on its promise. The writing spans genuine contrasts, brilliant opening fanfare, sustained lyrical passages, varied textures across the ensemble, without sacrificing musicianship at any moment. For a Grade 5 brass ensemble, it gives students something substantial to work toward while remaining playable.

What to expect

A journey from bold proclamation to intimate reflection and back again. The opening fanfare announces something grand, but the piece doesn't stay there; it unfolds through moments of genuine lyricism that let individual voices shine, then builds momentum toward a conclusion that feels earned rather than imposed.

Who it's for

Conductors leading advanced high school or college brass ensembles who want repertoire that showcases range without compromising musicality. Players at this level thrive on writing that demands both technical facility and expressive control.

How to get the most out of it

  • Balance the opening trumpet fanfare so the theme emerges clearly; resist the urge to let the full brass overpower the melodic line.
  • Shape the lyrical passages with consistent air support through the longer lines; these moments need the same attention to phrasing you'd give a wind band chorale.
  • Mark your sectional entrances clearly in the parts; a 13-player ensemble benefits from knowing exactly when to lock in rhythm-section figures versus when to float with the soloists.
  • Use a full dress rehearsal with percussion to lock the groove; timing between the brass and timpani/bass drums makes the heroic sections land with authority.

How to use it

Program this as a standalone feature or as the centerpiece of a brass-focused concert. Its Grade 5 difficulty and ensemble size make it ideal for spring concerts or festival performances where you want to demonstrate the sophistication of your brass program without requiring a full symphonic wind band.

Skills your students will build

  • Sustaining long lyrical lines across phrase boundaries
  • Balance and blend in multi-voiced fanfare writing
  • Stylistic contrast between heroic and expressive passages
  • Ensemble precision in syncopated rhythm figures
  • Dynamic control across a three-octave range

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