A Hanukkah Prayer of Thanks Cover Image

A Hanukkah Prayer of Thanks: Flexible String Ensemble Score & Parts

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A Hanukkah Prayer of Thanks Cover Image

A Hanukkah Prayer of Thanks: Flexible String Ensemble Score & Parts

Al Hanissim

Traditional / arr. Susan H. Day

Grade: 1.5

Item: 00-48085

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Description
This title features Alfred Music's String Orchestra FLEX options. That means that every part in this set is now transposed into every other part, so you can play this title with any combination of like- or mixed-string ensemble. After purchasing this set, decide what additional parts you need to meet the unique needs of your ensemble, then download and print them for free at alfred.com/supplemental---free of charge.

A unique Hanukkah selection, this piece embodies traditional Jewish music with its haunting melodies. In 4/4 time throughout, using easy rhythms, lifts, tremolo, a few two-note slurs, and ties, along with some cello divisi. The viola part doubles the 2nd violin and the cello doubles the bass. This is an excellent teaching piece for dotted-quarter-note rhythms.

The prayer "Al Hanissim" is sung or read at Hanukkah, expressing thanks for the miracles that have been bestowed upon the people's ancestors. A Hanukkah Prayer of Thanks by Susan H. Day will convey a sense of the season. (1:50) This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, A Hanukkah Prayer of Thanks: Flexible String Ensemble Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Highland/Etling String Orchestra
Publisher: Alfred Music
Page Count: 62
ISBN10: 1-4706-6146-2
ISBN13: 978-1-4706-6146-5
UPC: 038081554358
SKU: 00-48085

More about this title

Why we love this

The FLEX instrumentation system removes the guesswork from programming with uneven string rosters. You purchase once, then download exactly the part combinations your ensemble needs at no additional cost. The arrangement itself treats a meaningful prayer text with musical integrity while staying fully accessible to young players.

What to expect

Contemplative and emotionally direct, with haunting melodies rooted in Jewish musical tradition. The straightforward rhythms and moderate tempo create space for the meaning of the prayer text to come through, while gentle tremolo and slurred figures add warmth without overwhelming young players.

Who it's for

String orchestras at the early intermediate level who need a culturally grounded winter repertoire choice that fits flexible seating arrangements. The piece works equally well for ensembles with complete instrumentation or those managing absences and mixed string lineups.

How to get the most out of it

  • Balance the dotted-quarter-note rhythm figures across your ensemble during early rehearsals; mark the beat clearly until players internalize the pulse underneath the articulation.
  • Shape the tremolo passages with dynamic intention rather than letting them sit as static texture; a gentle swell through the tremolo sections adds depth without sacrificing the piece's meditative quality.
  • Attend to the two-note slurs as expressive gestures. Light articulation on the first note and a slight lean into the second creates the singing quality the melody demands.
  • Work the divisi cello passages separately if needed, then gradually blend the voices back together once each group locks the rhythm securely.

How to use it

Program this as a cultural centerpiece in a winter concert, pairing it with secular seasonal selections for contrast. Its 1:50 length makes it ideal as an opener or closer, and the meditative quality works beautifully in interfaith community settings.

Skills your students will build

  • Reading and executing dotted-quarter-note rhythms in context
  • Sustained playing with tremolo technique
  • Two-note slur articulation
  • Part independence when reading divisi passages
  • Interpretive choices in tempo and dynamics for expressive melody lines

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