A Hanukkah Festival: Score
Featuring Sevivon, Maoz Tzur, and Hanukkah
Arranged by Chris M. Bernotas
Grade: 3.5
Item: 00-PR-0007630
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Description
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More about this title
About the Arranger: Chris M. Bernotas

Chris M. Bernotas directs instrumental publications for Alfred Music, where he develops band and orchestra materials used by programs worldwide. Over 25 years in music education have shaped his voice as a composer and arranger; his experience in the classroom informs every piece he writes, making his work both musically engaging and pedagogically sound.
Beyond the page, Bernotas serves as a guest conductor and clinician, leading honor ensembles and workshops that help directors approach their repertoire with fresh perspective. He has co-authored several influential resources including the Sound Innovations and Sound Artistry series. His commitment to both the craft of composition and the needs of young musicians has made his works staples in concert programs from coast to coast.
Why we love this
Bernotas ties three beloved Hanukkah melodies into a single, cohesive arc that respects each tune's character while building momentum across the entire piece. The clarinet cadenza provides a genuine spotlight moment for a section often relegated to harmonic support, and the march finale gives your orchestra a bright, energetic finish that audiences recognize immediately.
What to expect
The piece unfolds like a celebration unfolding across three distinct moments: first a dramatic, mysterious invocation; then a warm, luminous prayer; finally a spirited, dancing joy. The orchestration embraces the full ensemble at key moments while allowing individual colors to emerge, creating a listening experience that feels both grand and intimate.
Who it's for
This score and parts set belongs in the hands of conductors leading Grade 3.5 full orchestras who want accessible yet substantive holiday programming. The arrangement works for concert contexts ranging from school winter festivals to community orchestra holiday specials, reaching audiences who connect with Hanukkah traditions or simply enjoy well-crafted pops repertoire.
How to get the most out of it
- Balance the dramatic melody of 'Sevivon' against its varied accompaniment textures; resist letting any single voice dominate the foundation.
- Give the clarinet soloist breathing room during the cadenza section. Mark it clearly in rehearsal as a featured moment, and allow slight flexibility in tempo to let the line breathe.
- Bring out the contrast between 'Maoz Tzur's rich, full voicings and the playful march character of 'Hanukkah.' The shift in energy should feel like a deliberate pivot, not a sudden jolt.
- Lock the rhythm section into the march groove of the final section early; its infectious pulse carries the piece to the exciting conclusion.
How to use it
Position this as a centerpiece for a winter or holiday concert, pairing it with lighter pops selections and serious classical works to create balance. The four-minute-fifty-five-second duration fits comfortably in a mixed program, and its clear three-part structure makes it an ideal teaching piece for young conductors learning how to shape a longer medley.
Skills your students will build
- Executing sudden key and character changes while maintaining ensemble cohesion
- Balancing independent melodic lines within varied orchestral textures
- Responding to subtle tempo and dynamic shifts across multiple sections
- Building and releasing tension through orchestral color and articulation choices