A Hanukkah Festival Cover Image

A Hanukkah Festival: Full Orchestra Conductor Score

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A Hanukkah Festival Cover Image

A Hanukkah Festival: Full Orchestra Conductor Score

Featuring Sevivon, Maoz Tzur, and Hanukkah

Arranged by Chris M. Bernotas

Grade: 3.5

Item: 00-51711S

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Description
A Hanukkah Festival, arranged by Chris M. Bernotas, is a medley of three traditional Hanukkah songs, "Sevivon," "Maoz Tzur," and "Hanukkah." "Sevivon" has a dramatic melody and is written with a variety of accompaniment leading to a brief, but impressive, clarinet cadenza (cued in violin 1) that leads into "Maoz Tzur." This traditional piece is scored with full, rich voicings along with the beautiful melody. "Hanukkah" is the festival of lights and the last section of the piece. It is a bright playful march with an exciting conclusion. A Hanukkah Festival is filled with memorable tunes that students and audiences will enjoy while paying homage to this important holiday. Sure to become a staple in the literature.

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Additional Details
Series: Belwin Concert Full Orchestra
Publisher: Alfred Music
ISBN10: 1-4706-7362-2
ISBN13: 978-1-4706-7362-8
UPC: 038081595825
SKU: 00-51711S

More about this title

About the Arranger: Chris M. Bernotas

Chris M. Bernotas

Chris M. Bernotas brings over 25 years of music education experience to his work as a composer and arranger. As Director of Instrumental Publications for Alfred Music, he has shaped educational resources used by programs worldwide, grounding his approach in deep familiarity with the realities of teaching young musicians.

Bernotas is known for creating music that balances accessibility with genuine artistry. His works are performed by ensembles at every level, from developing groups to advanced ensembles seeking engaging concert material. Beyond composing, he remains active as a clinician and guest conductor, regularly collaborating with directors to refine their approaches to contemporary repertoire and pedagogy.

Why we love this

This medley respects the integrity of three beloved Hanukkah melodies while giving each one its own orchestral character. The clarinet cadenza provides a genuine moment of virtuosity without demanding extreme technical facility, and the progression from dramatic to introspective to celebratory gives conductors real arc to shape across the full piece.

What to expect

The piece unfolds like a musical celebration with distinct moods. It opens with dramatic intensity and memorable melody, shifts into the reverent beauty of a traditional chorale, and closes with the infectious joy of a festival march. Throughout, Bernotas's orchestration ensures every section hears themselves while contributing to a unified whole.

Who it's for

This score works for intermediate orchestras ready to tackle Grade 3.5 material with confidence. Directors seeking holiday repertoire that feels substantial enough for concert programming will find a piece that honors important cultural tradition while offering genuine musical interest for players and audiences alike.

How to get the most out of it

  • Balance the "Sevivon" melody so it cuts through the varied accompaniment textures; the drama lives in clarity, not volume.
  • Feature the solo clarinet in the cadenza passage, making sure surrounding voices taper back and give the moment room to breathe before launching into "Maoz Tzur."
  • Bring out the march character of "Hanukkah" by locking the rhythm section with precision; the bright energy depends on a solid rhythmic foundation.
  • Shape the rich voicings of "Maoz Tzur" with careful attention to balance between upper and lower voices so the full orchestration sits together without muddiness.

How to use it

Program this as a standalone concert feature or as part of a holiday or world music concert. The three-movement structure gives it enough weight to anchor a program segment without overshadowing lighter fare, and its thematic clarity makes it accessible to diverse audiences regardless of their familiarity with Hanukkah music.

Skills your students will build

  • Ensemble balance across varied textures and voicings
  • Lyrical phrasing in sustained melodic passages
  • Coordination between rhythm section and melodic voices
  • Stylistic contrasts within a single work (dramatic, reverent, playful)

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