A Gershwin Portrait! The Music of George and Ira Gershwin: Choral Instrumental Parts
The Music of George and Ira Gershwin
Words and music by George and Ira Gershwin / arr. Mac Huff
Item: 00-PK-0002683
$75.00
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, A Gershwin Portrait! The Music of George and Ira Gershwin: Choral Instrumental Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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Additional Details
Series:
Alfred Pop Choral Series
Publisher:
Alfred Music
Page Count:
136
SKU:
00-PK-0002683
Instrumentation:
C Instruments
More about this title
About the Arranger: Mac Huff
Mac Huff is an arranger and composer whose work across jazz, pop, and choral idioms has shaped the modern pop choir landscape. His arrangements for the Alfred Pop Choral Series are known for their accessibility, singability, and sophisticated harmonic language that respects both the original composer's intent and the capabilities of student ensembles.
Why we love this
Mac Huff's arrangement captures the effortless sophistication of Gershwin's melodies while making them genuinely performable for choirs of varying levels. The instrumental parts add real texture and professionalism to your concert without requiring a full orchestra, and the recorded accompaniment gives you flexibility in rehearsal and performance.
What to expect
Urbane and elegant, with the shine of 1920s–30s Broadway filtered through modern choral sensibilities. The combination of vocal melody and instrumental color creates an atmosphere that's both sophisticated and approachable, full of swing and theatrical warmth.
Who it's for
High school and college choirs with experience in contemporary choral music and jazz idioms. This arrangement works well for programs seeking Gershwin standards that feel fresh and arranging-forward rather than purely nostalgic.
How to get the most out of it
- Balance the instrumental parts carefully during early rehearsals so singers can lock onto the harmonic framework without being overwhelmed by the accompaniment.
- Work through the swing rhythms and syncopation with your rhythm section or accompaniment first; once the groove is secure, the choir will follow naturally.
- Pay attention to the jazz articulations and phrasing in the vocal lines—these songs demand a lighter, more conversational delivery than traditional choral repertoire.
- Use the recorded accompaniment during sectional rehearsals to help singers internalize the harmonic movement and style without relying solely on your piano.
How to use it
Build a Gershwin-focused concert around this collection, or use individual selections as contrasting pieces alongside classical or contemporary works. The arrangements work particularly well in spring pops concerts or all-American repertoire programs where you want substance alongside entertainment value.
Skills your students will build
- Reading jazz articulation and phrasing conventions
- Navigating syncopation and swing rhythms in ensemble context
- Blending vocal line with instrumental accompaniment
- Understanding harmonic language and voice leading in jazz-influenced arrangements
- Developing stylistic flexibility across Gershwin's varied song catalog