A German Requiem, Op. 45 (Ein Deutsches Requiem) Cover Image

A German Requiem, Op. 45 (Ein Deutsches Requiem): Mass, Orchestra Accompaniment, Organ Part

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A German Requiem, Op. 45 (Ein Deutsches Requiem) Cover Image

A German Requiem, Op. 45 (Ein Deutsches Requiem): Mass, Orchestra Accompaniment, Organ Part

By Johannes Brahms/ German libretto by the composer, after Martin Luther's translation of Biblical texts

Item: 36-A257647

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Written between 1865-1868, EIN DEUTSCHES REQUIEM (A GERMAN REQUIEM), Op. 45 was Johannes Brahms (1833-1897) longest work. The seven movement mass sets Martin Luther's translation of Biblical text to music, with the libretto having been completed by the composer. The work premiered on February 18, 1869, at the Gewandhaus in Leipzig, Carl Reinecke conducting the Gewandhaus chorus and orchestra, with the solos sung by Emilie Bellingrath-Wagner (soprano) and Dr. Kückl (baritone). The work remains a regular part of the repertoire. Movements: 1. Selig sind, die da Leid tragen. (Matthew 5:4, Psalm CXXVI, verses 5—6); 2. Denn alles Fleisch es ist wie Gras. (1 Peter 1:24; James 5:7; 1 Peter 1:25; Isaiah 35:10); 3. Herr, lehre doch mich. (Psalm XXXIX, verses 5—8 [English verses 4—7]; Wisdom of Solomon 3:1); 4. Wie lieblich sind deine Wohnungen. (Psalm LXXXIV, verses 2,3,5 [English verses 1,2,4]); 5. Ihr habt nun Traurigkeit. (John 16:22; Ecclesiasticus 51:35 [English verse 27]; Isaiah 66:13); 6. Denn wir haben hie keine bleibende Statt. (Hebrews 13:14; 1 Corinthians 15:51—52,54—55; Revelation 4:11); 7. Selig sind die Toten. (Revelation 14:13). Instrumentation: 2+Picc.2.2.2+CBsn(opt): 4.2.3.1: Timp: Hp(opt).Org(opt): Str (4-4-3-3-3 in set): Soli S.Bar: Mix Chor.

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Additional Details
Series: Kalmus Choral Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-270681-0
ISBN13: 979-8-89-270681-0
UPC: 659859198828
SKU: 36-A257647
Instrumentation: 2+Picc.2.2.2+CBsn(opt): 4.2.3.1: Timp: Hp(opt).Org(opt): Str (4-4-3-3-3 in set): Soli S.Bar: Mix Chor

More about this title

About the Composer: Johannes Brahms

Johannes Brahms (1833-1897) was a German composer whose output spanned symphonies, concertos, chamber works, and choral music of profound emotional depth. He spent much of his career in Vienna, where he became a central figure in the late Romantic tradition while maintaining connections to the classical forms of Beethoven and Bach. His choral works, including Ein Deutsches Requiem, demonstrate his belief that the human voice could express spiritual truth with unmatched directness.

Brahms chose Martin Luther's German Bible translation for Ein Deutsches Requiem deliberately, creating a work that speaks to consolation and faith in accessible language rather than the Latin liturgical tradition of earlier requiems. The piece's premiere in 1869 established it as a major choral-orchestral work, and it remains central to the repertoire for its combination of structural mastery, orchestral sophistication, and genuine emotional resonance.

Why we love this

Ein Deutsches Requiem demands serious musicianship from every section while remaining deeply rewarding to perform. Brahms constructs each movement with architectural clarity, giving the ensemble immediate musical and textual goals that sustain focus across a substantial work. The orchestration balances transparency with richness, requiring conductors to make thoughtful choices about color and ensemble balance that deepen interpretive understanding.

What to expect

Brahms creates an atmosphere of dignified mourning and spiritual assurance. The opening movement unfolds with gentle, supportive orchestration over sorrowful texts, while later movements build to moments of profound hope without sacrificing musical substance. The overall tone is reflective rather than dramatic, inviting the listener into a space of shared consolation.

Who it's for

This part is essential for organists and pianists accompanying large choral and orchestral forces through one of the major works of the choral-orchestral repertoire. Conductors leading performances of Ein Deutsches Requiem will rely on this organ part to provide harmonic and structural support, particularly during rehearsal and in the concert venue where full orchestra may not always be available.

How to get the most out of it

  • Study the seven movements as distinct musical statements rather than a continuous narrative. Each has its own character, tempo, and textural approach, so movements need clear separation and fresh preparation.
  • Balance the soloists with the chorus carefully. The soprano and baritone lines should emerge naturally from the orchestral texture without overwhelming the ensemble sound; rehearse the transitions between solo and choral sections until they feel inevitable rather than inserted.
  • Attend to the optional parts (timpani, harp, organ) early in rehearsal planning. Their inclusion or omission changes orchestral weight considerably, and decisions should align with your venue acoustics and available forces.
  • Work the English text translation alongside the German original if your singers are performing in English. The rhythmic profiles differ enough that secure vocal lines require familiarity with your chosen language version.

How to use it

Reserve Ein Deutsches Requiem for a major concert occasion where rehearsal time and venue size justify its scope and seriousness. Its length and emotional weight make it a centerpiece rather than a supporting work. Many conductors program it as a complete evening or pair it carefully with only the lightest preceding repertoire to allow the work's spiritual gravity to register fully with the audience.

Skills your students will build

  • Navigating extended multi-movement choral forms with orchestral accompaniment
  • Balancing choral blend and diction across German text set to complex harmonic progressions
  • Reading music in which orchestral and vocal lines operate with different rhythmic priorities
  • Sustaining musical line and ensemble cohesion across lengthy sections with minimal textual change
  • Responding to subtle orchestral cues in a work without constant dramatic gesture or obvious beat patterns

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