A Frieze and a Litany (Version for Solo Viola): Solo Viola

This adaptation brings a compelling new work into the viola solo repertoire, one that demands genuine virtuosity without relying on the familiar idioms of transcriptions. The tuning-fork element creates a genuinely theatrical moment, turning a technical challenge into a distinct musical gesture that audiences will remember.

The work carries the weight of MacCaig's poem about Assyrian civilization and endurance, moving between introspective arco passages and the unusual, resonant shimmer of the tuning-fork tremolo. It sits at the intersection of intimate meditation and theatrical gesture, creating moments of genuine surprise within a lyrical context.

This is for advanced violists seeking substantial solo material that goes beyond standard recital repertoire. It suits performers comfortable with contemporary techniques and willing to engage with unconventional instrumental preparation.

• Secure a suitable tuning fork before rehearsals begin. The piece specifies preference for a fork with tubular limbs rather than square edges, which will affect both the sound and the mechanics of the tremolo passages.
• Practice the transitions between arco and tuning-fork using left-hand pizzicato on open strings as a bridge. Repeat these connecting passages ad libitum during performance to mask any technical awkwardness.
• Work for the most even tremolo possible when the tuning-fork prongs are scissored around the string. This requires steady hand control and consistent pressure; isolate and drill these sections separately from the surrounding material.

Position this as a recital centerpiece or final piece on a mixed chamber program, where its distinctive sound and visual element can make a strong closing statement. It works equally well as a standalone contemporary solo work in themed concerts exploring extended techniques or contemporary string writing.

• Extended techniques specific to viola (tuning-fork tremolo, scissoring technique)
• Smooth transitions between arco and non-traditional playing methods
• Left-hand pizzicato on open strings for structural purposes
• Sustained tone control and cantabile playing in extended passages
• Performance confidence with contemporary notation and unconventional instrumental preparation