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A First Book of Bach: For The Beginning Pianist with Downloadable MP3s: Piano Book

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A First Book of Bach: For The Beginning Pianist with Downloadable MP3s Cover Image

A First Book of Bach: For The Beginning Pianist with Downloadable MP3s: Piano Book

Johann Sebastian Bach / arr. David Dutkanicz

Level: Late Elementary / Early Intermediate

Item: 06-457370

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Adagio from Concerto for Oboe * Affetuoso from Brandenburg Concerto No. 5 * Air on a G String * Aria from Goldberg Variations * Arioso in G Major * Bouree * Bouree from Overture in French Style * Brandenburg Concerto No. 3 (opening) * Chorale from Cantata No. 26 * Gavotte from English Suite No. 3 * Gavotte * Gavotte from French Suite No. 5 * Invention in C Major * Invention in A Minor * Invention in F Major * Jesu, Joy of Man's Desiring * Menuet No. 1 from Suite in E-Flat Major * Menuet No. 2 from Suite in E-Flat Major * Menuet from Anna Magdalena's Notebook * Menuet from a Notebook for Wilhelm Friedmann Bach * Musette * Prelude in C Major * Rondo from Orchestral Suite No. 2 * Sheep May Safely Graze * Tocatta and Fugue in D Minor (opening) * Wachet Auf.

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Additional Details
Series: Dover Edition: My First Book
Publisher: Dover Publications
ISBN10: 0-486-45737-0
ISBN13: 978-0-486-45737-6
UPC: 9780486457376
SKU: 06-457370

More about this title

About the Composer: Johann Sebastian Bach

Johann Sebastian Bach (1685-1750) shaped Western music so fundamentally that centuries of composers learned their craft by studying his work. His mastery of counterpoint, harmonic progression, and structural logic established techniques still taught today. Bach composed across every genre available to him, keyboard works, concertos, cantatas, suites, and left behind a catalog that serves as both a historical document and a perpetual teaching resource.

Why we love this

This collection bridges a real gap in early piano repertoire: students need exposure to Bach's melodic and harmonic language before they're ready for the full Inventions or Well-Tempered Clavier. The arrangement respects Bach's original voice while keeping hand positions manageable and reading straightforward. Hearing these pieces performed by download MP3s lets students internalize the style before they play it themselves.

What to expect

These arrangements capture Bach's clarity and structural grace without the technical demands of his original keyboard works. The music feels orderly and purposeful, with clean melodic lines that sing even as the harmonic foundation stays solid beneath them. There's an elegance here that rewards precise playing but never feels cold or academic.

Who it's for

Students in late elementary through early intermediate grades who are ready to explore Baroque style but need versions scaled to their technical level. Teachers looking to introduce genuine Bach without overwhelming students with dense polyphony or hand-position challenges. Pianists preparing for competitions or recitals who want period-appropriate repertoire with clear editorial guidance.

How to get the most out of it

  • Listen to the recorded accompaniment several times before playing your part; Bach's counterpoint reveals itself through repetition, and hearing how your line fits with others builds interpretive confidence.
  • Shape phrases according to the harmonic motion rather than by counting measures. Where the harmony shifts, take a gentle breath and reset your touch.
  • Articulate the Inventions with clarity but without harshness. These pieces are conversations between two voices, so each note needs to speak distinctly without sounding detached.
  • In the dance movements (Gavottes, Menuets, Bourées), maintain a steady pulse while letting the melodic shape breathe naturally. The rhythm is the container, not the goal.

How to use it

Open a recital or student showcase with a Bach minuet or prelude to establish a sophisticated tone before moving into Romantic or contemporary works. Pair selections from this collection with later arrangements to show how Bach's language evolved across the eighteenth century. Use individual pieces as technical warm-ups during sectional lessons, focusing on one week on a Gavotte and the next on an Invention to reinforce different aspects of pianistic control.

Skills your students will build

  • Reading baroque phrasing and understanding voice independence in two-part writing
  • Maintaining steady pulse while shaping melody expressively
  • Recognizing harmonic progressions and functional harmony through direct exposure
  • Articulation techniques suited to period style (legato phrasing without blurring)
  • Coordination of hands playing equal but distinct lines
  • Sight-reading facility in early Baroque contexts and notation

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