A Day in a Manger (Away in a Manger; Anniversary Carols) Cover Image

A Day in a Manger (Away in a Manger; Anniversary Carols): Mixed Chorus, SATB, Choral Score

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A Day in a Manger (Away in a Manger; Anniversary Carols) Cover Image

A Day in a Manger (Away in a Manger; Anniversary Carols): Mixed Chorus, SATB, Choral Score

By Jackson Berkey

Item: 36-J94101

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Description
A Day in a Manger is a contemporary setting of the popular carol, Away in a Manger. What we now understand as the standard American tune was first offered in Cincinnati in 1887 in the collection Dainty Songs for Little Lads and Lasses by James R. Murray. You will delight in Jackson Berkey's unusual a cappella arrangement of this carol.

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Additional Details
Series: SDGBerkey - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 660355069383
SKU: 36-J94101
Instrumentation: SATB Chorus

More about this title

About the Composer: Jackson Berkey

Jackson Berkey is a composer and arranger whose work focuses on choral music across classical, contemporary, and spiritual idioms. His arrangements demonstrate a keen ear for how familiar melodies can be reimagined through fresh harmonic and textural choices, making them compelling for both singers and audiences who think they know a piece inside and out.

Why we love this

Berkey's a cappella treatment strips away the expected piano or organ accompaniment and asks the voices themselves to shape harmonic color and momentum. The result feels fresh without abandoning the carol's essential warmth, and the score rewards both careful blend work and expressive phrasing in equal measure.

What to expect

Intimate and meditative. Stripped of accompaniment, the voices create their own harmonic world around a melody many singers and listeners know by heart. The effect is both tender and slightly surprising.

Who it's for

SATB choirs with secure intonation and comfort singing a cappella. The piece suits both concert and worship settings, making it useful for ensembles seeking a contemporary approach to a well-loved carol without instrumental support.

How to get the most out of it

  • Balance the inner voices carefully; Berkey's harmonic language can obscure the melody if alto and tenor parts push too hard.
  • Work the final cadence with attention to how each voice arrives at its note. The a cappella setting means there's nowhere to hide intonation shifts.
  • Consider how breath placement across the four parts maintains line continuity. Mark staggered breathing in passages where all voices move together to avoid a collective gasp.

How to use it

Position this during a holiday concert to anchor a set of carols, especially if other selections feature instrumental accompaniment. The piece also works as a gentle encore or as part of a service music segment where a cappella singing is already established.

Skills your students will build

  • Intonation control in a cappella voicing
  • Blend and balance across four parts without doubling
  • Expressive phrasing without harmonic support
  • Breath management in sustained harmonic passages

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