A Cover Is Not The Book (from Mary Poppins Returns) (arr. Mark Brymer) Sheet Music Preview

A Cover Is Not The Book (from Mary Poppins Returns) (arr. Mark Brymer): SSA Choral Octavo

As performed by Emily Blunt, Lin-Manuel Miranda Company / Arranged by Mark Brymer

Item: 35-DS00430745

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Additional Details
Publisher: Hal Leonard
Page Count: 18
SKU: 35-DS00430745

More about this title

About the Artist: Emily Blunt, Lin-Manuel Miranda Company

Emily Blunt brings theatrical sophistication to every role she takes on, whether on screen or in musical performance. Her work in Mary Poppins Returns showcased her ability to merge acting with genuine vocal presence, collaborating with Lin-Manuel Miranda, whose innovative approach to musical theater composition has redefined how contemporary songs function within film narratives.

Why we love this

Mark Brymer's arrangement captures the wit and charm of Miranda's composition while making it accessible for developing singers. The SSA voicing keeps the focus on clear melody and engaging harmonies rather than technical complexity, letting students connect with contemporary musical theater writing that feels current and relevant.

What to expect

Playful and sophisticated at once, with the warmth of a mentor figure imparting wisdom through song. The melody dances through the harmonic landscape with conversational ease, inviting singers and audiences alike into a moment of genuine connection wrapped in theatrical charm.

Who it's for

Choirs working with students in middle through early high school years who are ready for film and musical theater repertoire that doesn't demand advanced technique. Directors seeking contemporary material that students recognize and enjoy performing together.

How to get the most out of it

  • Establish a conversational tone from the opening; this song thrives on personality and directness rather than operatic legit singing.
  • Balance the harmony parts so the main melodic line stays prominent without requiring belt technique from younger singers.
  • Shape the phrasing around the natural speech rhythms Miranda composed; avoid over-singing or adding excessive vibrato that obscures the lyrical intent.

How to use it

Program this as a concert opener or transition piece that engages audiences immediately through familiar film music. It works equally well in a musical theater showcase or as a lighter selection within a mixed-genre concert, providing relief and connection between more substantial choral works.

Skills your students will build

  • Singing contemporary musical theater style with clarity and articulation
  • Balancing melody and harmony in pop-influenced harmonic contexts
  • Maintaining character and intention through legible phrasing and text delivery
  • Reading and performing arranged orchestrations designed for developing vocal ensembles

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