A Cover Is Not The Book (from Mary Poppins Returns) Sheet Music Preview

A Cover Is Not The Book (from Mary Poppins Returns): Ukulele

As performed by Emily Blunt, Lin-Manuel Miranda & Company

Item: 35-DS00428389

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00428389

More about this title

About the Artist: Emily Blunt, Lin-Manuel Miranda & Company

Emily Blunt is a British actress and singer known for her roles in acclaimed films ranging from The Devil Wears Prada to A Quiet Place. Her performance in Mary Poppins Returns brought her distinctive vocal presence to the 2018 musical film, collaborating with composer and lyricist Lin-Manuel Miranda.

Lin-Manuel Miranda is the composer and lyricist behind the Tony Award-winning musical Hamilton, as well as the music for Disney's Moana and the original Encanto score. His work on Mary Poppins Returns earned him a Golden Globe nomination and demonstrates his ability to craft songs that bridge classical theatrical traditions with contemporary musical sensibilities. Miranda's compositions for film combine melodic accessibility with clever, character-driven lyrics.

Why we love this

The ukulele arrangement of this song captures the whimsy and theatrical charm of Miranda's writing while remaining genuinely playable for developing musicians. The melody sits naturally on ukulele, and the lyrics deliver a delightful moment of romantic humor that students actually enjoy performing and audiences enjoy hearing.

What to expect

Bright and knowing, with an undercurrent of romantic playfulness. The song moves between direct address and clever commentary, creating moments of musical honesty wrapped in a charming, upbeat melody that feels both earnest and tongue-in-cheek.

Who it's for

Student musicians developing comfort with contemporary film music and those seeking accessible material with genuine theatrical appeal. This works especially well for intermediate ukulele players in middle and high school programs who appreciate wit in their performance repertoire.

How to get the most out of it

  • Work the lyrical phrasing carefully; Miranda's rhythmic wordplay needs clean articulation to land the comedic timing of the song's central idea.
  • Keep the strumming pattern consistent and light to maintain the song's conversational, almost spoken-song quality rather than playing it as a purely instrumental piece.
  • Balance vocal clarity with instrumental accompaniment so the clever observations about surface versus substance don't get lost in the ukulele texture.

How to use it

Include this in a concert celebrating film and Broadway music, or pair it with other Mary Poppins Returns selections for a themed program. The song's relatively modest technical demands and strong audience recognition make it valuable for concert variety without requiring advanced players.

Skills your students will build

  • Executing Miranda's characteristic rhythmic phrasing and syncopation
  • Balancing sung melody with instrumental accompaniment
  • Interpreting comedic timing through musical choices
  • Sustaining consistent strumming patterns across longer phrases
  • Articulating rapid lyrical passages with clarity

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