A Closing Prayer: 2-Part Choral Octavo

By Don Besig

Item: 35-DS01134767

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Additional Details
Publisher: Hal Leonard
Page Count: 5
SKU: 35-DS01134767

More about this title

About the Composer: Don Besig

Don Besig

Don Besig spent three decades directing public school music in western New York, building choral programs known for strong performances at clinics, competitions, and community concerts. His experience spans all age levels and settings, from secondary schools to volunteer ensembles in churches.

Recognizing that student singers and church choirs needed repertoire written with their abilities in mind, Besig began composing for his own groups. His output has been substantial: over 350 original compositions and arrangements published by major school and church music houses, with more than 15 million copies in circulation. He currently serves as music director at Perinton Presbyterian Church in Fairport, New York, and has been recognized with multiple ASCAP Special Awards. His work as guest conductor and clinician has taken him across 40 states and Canada.

Why we love this

Besig writes closing moments that actually land. This prayer respects the emotional weight of a final piece without demanding technical wizardry from your singers, so the focus stays on sincerity and ensemble blend rather than survival.

What to expect

Reflective and grounded, this prayer creates space for contemplation. The writing prioritizes clarity and emotional directness, letting the text speak while the music supports it with quiet dignity.

Who it's for

This works for developing choirs, volunteer church ensembles, and any group seeking a dignified closing piece that doesn't require advanced reading skills. The two-part voicing makes it accessible while still offering genuine musical substance.

How to get the most out of it

  • Shape the phrases deliberately but without rushing; let the text breathing points guide your tempo choices rather than driving through them mechanically.
  • Pay attention to the balance between parts, especially if one voice carries a melodic moment. Light coaching on dynamics helps the two-part texture stay transparent.
  • Rehearse the final cadence separately if needed. These moments deserve precision in tuning and release so they land with quiet confidence.

How to use it

Save this for your final selection on any concert program where you want to leave the audience in a moment of reflection. It works especially well in sacred contexts or community events where a moment of grace fits naturally into the arc of your performance.

Skills your students will build

  • Sustaining long phrases over multiple measures
  • Balance and blend in two-part writing
  • Text expression and phrasing in sacred music
  • Controlled dynamics in quiet, introspective passages

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