A Christmas Spectacular Cover Image

A Christmas Spectacular: Concert Band Conductor Score & Parts

$85.00 USD
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A Christmas Spectacular Cover Image

A Christmas Spectacular: Concert Band Conductor Score & Parts

Arranged by Chris Sharp

Grade: 3.5;4

Item: 98-B1510

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Description
Designed as a companion (or alternative) to Leroy Anderson's enduring favorite, this spectacular medley features popular carols not found in the Anderson arrangement. A wealth of styles includes fanfares, lyrical melodies, marches, swing, Latin and more! Featuring 11 carols as well as hints from others, this is an incredible highlight for your winter program!

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Additional Details
Series: FJH Concert Band
Publisher: The FJH Music Company, Inc.
UPC: 674398230112
SKU: 98-B1510

More about this title

About the Composer: Chris Sharp

Chris Sharp

Chris Sharp holds a Ph.D. and has built his career across performance, composition, and education. As a trombonist, he spent eleven years performing and leading ensembles at Walt Disney World, then transitioned into orchestration work across Disney parks globally since 1984, contributing to live shows, recordings, and television broadcasts. His client list reflects the breadth of his expertise: Universal Studios, Ringling Brothers and Barnum & Bailey Circus, the Boston Pops, and the USAF Airmen of Note.

Today, Sharp divides his time between directing bands at Polk State College and maintaining an active composing and arranging practice. He teaches music theory, technology, and arranging alongside his conducting duties. His conference appearances at the Midwest Clinic and his multiple ASCAP Plus awards speak to the quality and reach of his concert and jazz band writing. He regularly serves as a clinician, guest conductor, and adjudicator for organizations including Bands of America and Drum Corps International.

Why we love this

Sharp knows exactly what concert bands need in a holiday program: variety without pretension. Rather than duplicating what Anderson already did so well, he builds fresh energy around carols you won't find in the standard Anderson medley, moving fluidly between fanfares, Latin grooves, swing inflections, and straight-ahead marching sections. The orchestration reflects his Disney theme park experience, meaning every section gets moments to shine, and the style shifts feel earned rather than scattered.

What to expect

Festive and polished, with the theatrical flair of theme park entertainment. You move from bold ceremonial moments into lyrical passages, then swing into contemporary grooves, all without losing the warmth of classic carols. The medley feels like a curated celebration rather than a string of songs.

Who it's for

Concert bands in grades 3.5 to 4 who want a substantial holiday centerpiece that stands apart from the typical Anderson arrangement. Directors looking for arrangements with genuine style variety and robust scoring for all sections will find this both playable and rewarding.

How to get the most out of it

  • Balance the brass fanfares in the opening sections so they support rather than overshadow the woodwind melodies that follow. These contrasts are the arrangement's backbone.
  • The swing and Latin passages will demand cleaner articulation from your reed section than your students might initially deliver. Mark the specific tonguing style in rehearsal early so it becomes muscle memory.
  • Let the recorded accompaniment establish the groove in any Latin or swing passages. Your rhythm section should lock into that pocket rather than fight it.
  • Mark phrase shapes across style changes. Students often reset their dynamic energy when the genre shifts, but continuity of line carries this medley forward.

How to use it

Position this as the dramatic centerpiece of a winter concert, ideally framing it with a lighter opening number and a closing carol arrangement. At this grade level, the variety of styles makes it excellent for demonstrating your ensemble's range and versatility to an audience.

Skills your students will build

  • Stylistic flexibility across fanfare, lyrical, march, swing, and Latin idioms
  • Dynamic control in contrasting textures and orchestrations
  • Articulation precision in swing and Latin passages
  • Reading and executing extended section writing with clear voice independence

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