A Christmas Lullaby: SATB Choral Octavo
Words by Alice Jean Cleator, music by Donald Moore
Item: 00-PO-0001899
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Donald Moore

Donald Moore earned his Bachelor of Music in organ performance and Master of Arts in Teaching from Kent State University. A prolific composer and arranger, he has published over 500 works across sacred, secular, educational, and pop choral genres with major publishers including Alfred Music, Hal Leonard, Heritage Music Press, and others. His compositions appear regularly at state contests and festivals and have been featured at conventions from the regional to international level.
Moore serves as Organist-Choirmaster at Pilgrim United Church of Christ in Cuyahoga Falls, Ohio, and is a seventeen-time recipient of the ASCAP Composers Standard Award. The American Choral Directors Association recognized him among 400 composers of historical significance in American choral music.
Why we love this
Moore crafts a piece that genuinely works for both school and church settings without compromising musicality. The subtle jazz influence gives traditional nativity text a contemporary warmth that keeps singers engaged while the light texture makes it accessible for a range of choir levels.
What to expect
The music cradles the familiar lullaby concept in soft, sophisticated harmonies that suggest evening calm without becoming cloying. Jazz inflections add subtle color and modernity, while the ethereal quality invites the listener into a quiet, protective space.
Who it's for
This piece suits choirs of mixed ability, from school programs seeking accessible yet sophisticated holiday repertoire to church choirs wanting something beyond traditional arrangements. Both settings will find the nativity text spiritually fitting and the moderate vocal demands realistic for volunteers or developing singers.
How to get the most out of it
- Balance the lush harmonies by bringing out individual voice lines in rehearsal before blending them together; the jazz influence will sound muddier if parts aren't clearly defined.
- Keep the text intimate and conversational rather than grand; the lullaby character asks for restraint in dynamics even when the harmonies are full.
- Consider the recorded accompaniment to establish the ethereal mood and help singers hear how the parts support the gentle overall sound.
How to use it
Program this as a centerpiece for a holiday concert's quieter section, or use it in a Christmas worship service where tenderness and accessibility matter equally. Its moderate length and gentle character make it an ideal complement to more energetic or traditional seasonal pieces.
Skills your students will build
- balancing parts in jazz-influenced harmonies
- maintaining lyrical tone and diction in soft, sustained passages
- interpreting lullaby text with restraint and intimacy
- blending SATB voicing with transparent texture