A Christmas Hymn Cover Image

A Christmas Hymn: Full Orchestra Conductor Score

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A Christmas Hymn Cover Image

A Christmas Hymn: Full Orchestra Conductor Score

Till Morning Is Nigh

Words and music by J. E. Spillman and Martin Luther / setting by Robert W. Smith

Grade: 2.5

Item: 00-BFOM00012C

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Description
Based upon the traditional carol "Away in a Manger", this setting for full orchestra explores contemporary harmonies and textures. The carol is structured in 4/4 time as opposed to the customary 3/4 time, which allows the listener to enjoy the melody from a totally new perspective. This innovative arrangement will complete any holiday program. (3:50)

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Additional Details
Series: Belwin Intermediate Full Orchestra
Publisher: Alfred Music
Page Count: 16
UPC: 654979184683
SKU: 00-BFOM00012C

More about this title

Why we love this

Robert W. Smith's orchestration takes a melody every musician knows and completely reframes it through a rhythmic shift. Moving "Away in a Manger" from 3/4 to 4/4 isn't just a time signature change; it's a permission slip for your ensemble to hear the carol fresh. At Grade 2.5, the writing is accessible without feeling like a reduction.

What to expect

Serene but alive. The familiar tune arrives wearing modern clothes, with harmonic textures that shimmer around the melody rather than simply supporting it. The 4/4 meter gives the music a contemplative quality, as if you're hearing the carol in a moment of quiet reflection.

Who it's for

Orchestras at the intermediate level looking to program something recognizable yet genuinely different. This works beautifully for holiday concerts where you want a carol that respects tradition while showcasing contemporary compositional thinking.

How to get the most out of it

  • Balance the melody between instrumental families during the opening statement. The carol needs to sing regardless of which section carries it, so listen for clarity without weight.
  • Lean into the contemporary harmonies that distinguish this arrangement. Those moments deserve slightly more color and definition than you might give a traditional setting.
  • Let the ensemble feel the 4/4 pulse as a steady foundation. The rhythmic reframing works best when the beat feels unhurried and grounded, allowing the familiar melody to float on top.

How to use it

Place this early in your holiday concert to establish a tone of thoughtful musicality before moving into more energetic festive fare. Its moderate length (3:50) makes it ideal for creating breathing room between longer works.

Skills your students will build

  • Listening for melody across different instrumental voices
  • Playing in contemporary harmonic contexts
  • Maintaining steady pulse in 4/4 while accompanying a familiar, lyrical line
  • Blending orchestral texture to support rather than cover the main voice

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